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"Originally published in 1948 as Dieu d'Eau, this near-classic offers a unique and first-hand account of the myth, religion, and philosophy of the Dogon, a Sudanese people. Often regarded as savages, the Dogon are here revealed to "live by a cosmogony, a metaphysic, and a religion which put[s] them on a par with the peoples of antiquity, and which Christian theology might indeed study with profit." In recording his thirty-three days' conversation with Ogotemmêli, an elder of exceptional intelligence and wisdom, the author has succeeded in conveying the man's highly individual style. The result is a remarkable portrayal of Dogon cosmology, told as it were from the inside."
Organized topically rather than historically, this book provides an excellent introduction to the subject of African Philosophy. Samuel Oluoch Imbo synthesizes the ideas of key African philosophers into an accessible narrative. The author focuses on five central questions: What are the definitions of African philosophy? Is ethno-philosophy really philosophy? What are the dangers of an African philosophy that claims to be 'unique'? Can African philosophy be done in foreign languages such as English and French? Are there useful ways to make connections between African philosophy, African American philosophy, and women's studies? By making cross-disciplinary and transnational connections, Imbo stakes out an important place for African philosophy. Imbo's book is an invaluable introduction to this dynamic and growing area of study.
In the Museum of Man offers new insight into the thorny relationship between science, society, and empire at the high-water mark of French imperialism and European racism. Alice L. Conklin takes us into the formative years of French anthropology and social theory between 1850 and 1900; then deep into the practice of anthropology, under the name of ethnology, both in Paris and in the empire before and especially after World War I; and finally, into the fate of the discipline and its practitioners under the German Occupation and its immediate aftermath. Conklin addresses the influence exerted by academic networks, museum collections, and imperial connections in defining human diversity sociocu...
Study of African primitive art and its meaning in the religious and social life of the African tribes.
Since very early times Sirius was a point of attraction in the night sky. It served to synchronize calendars in antiquity and was the subject of many myths and legends, including some modern ones. It was perceived as a red star for more than 400 years, but such reports were relegated to the Mediterranean region. Astronomically, Sirius is a very bright star. This, and its present close distance to us, argues in favor of it being the target of detailed studies of stellar structure and evolution. Its binary nature, with a companion that is one of the more massive white dwarfs, is an additional reason for such studies. This book collects the published information on Sirius in an attempt to derive a coherent picture of how this system came to look as it does.
The most academically credible case for alien visitation. Is the existance of civilisation on earth the result of contact from inhabitants of a planet in the system of the star Sirius prior to 3000BC? There are tribal cultures in present-day Africa whose most sacred and secret and traditions are based on this theory. Central to their cosmology is a body of knowledge concerning the system of the star Sirius that is astounding it in its accuracy of detail, including specific information only recently accessible to modern science. Robert Temple traces the traditions of the Dogon and three related tribes back 5, 000 years to the ancient Mediterranean cultures of Sumer and Egypt. He shows a knowledge dependent on physics and astrophysics, which they claimed was imported to them by visitors from Sirius.
The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his emergence as a cinematic griot, a peripatetic bard who "recites" the story of a people through provocative i...
African Philosophy in Search of Identity