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Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in I...
Forty extensive essays on the history of printing, publishing, typefounding, type design, etc. Emphasis is on the sixteenth century. A very beautifully produced book: Designed by Giovanni Mardersteig and printed at the Stamperia Valdonega, Verona.
Winner of the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies The border between fact and fiction has been trespassed so often it seems to be a highway. Works of history that include fictional techniques are usually held in contempt, but works of fiction that include history are among the greatest of classics. Fiction claims to be able to convey its own unique kinds of truth. But unless a reader knows in advance whether a narrative is fictional or not, judgment can be frustrated and confused. In The Distinction of Fiction, Dorrit C...
Carlsmith's A Renaissance Education uses a case study approach to examine educational practices in the north-eastern Italian city of Bergamo from 1500 to 1650.
This book covers various aspects of Geometry and Graphics, from recent achievements on theoretical researches to a wide range of innovative applications, as well as new teaching methodologies and experiences, and reinterpretations and findings about the masterpieces of the past. It is from the 19th International Conference on Geometry and Graphics, which was held in São Paulo, Brazil. The conference started in 1978 and is promoted by the International Society for Geometry and Graphics, which aims to foster international collaboration and stimulate the scientific research and teaching methodology in the fields of Geometry and Graphics. Organized five topics, which are Theoretical Graphics and Geometry; Applied Geometry and Graphics; Engineering Computer Graphics; Graphics Education and Geometry; Graphics in History, the book is intended for the professionals, academics and researchers in architecture, engineering, industrial design, mathematics and arts involved in the multidisciplinary field.
This book covers recent achievements on the ever-expanding field of Geometry and Graphics on both analogical and digital fronts, from theoretical investigations to a broad range of applications, new teaching methodologies, and historical aspects. It is from 20th International Conference on Geometry and Graphics (ICGG2022), a series of conference that started in 1978 and promoted by International Society for Geometry and Graphics, which aims to foster international collaboration and stimulate the scientific research and teaching innovations in the multidisciplinary field. The contents of the book are organized in: Theoretical Geometry and Graphics; Applied Geometry and Graphics; Engineering Computer Graphics; Graphics Education; Geometry and Graphics in History, and are intent for the academics, researchers, and professionals in architecture, engineering, industrial design, mathematics, and arts.
Philip Hofer, Founding Curator of Printing and Graphic Arts in Houghton Library, amassed one of the great collections of early penmanship textbooks before his death in 1984. Becker's catalogue tells the story of this collection while amply illustrating the diversity and expressive power of the arts of the pen.
Modern oculofacial plastic surgery as a field is quite young, with the majority of the literature and leaders in the field developing since the 1950s. As such, the body of literature is quite small compared to other fields. Currently, there is no unified source where readers can learn about the core manuscripts that drive clinical decision-making and influence thought. This book gathers over 50 foundational studies in the oculoplastics field and provides commentary on each study. Discussion of each study includes the abstract, in-depth commentary on the strengths, limitations, and implications of each paper, and guidance for further reading on the topic with a brief review. A short remark by an author from the paper will provide additional color commentary on the inspirations and challenges involved in conceiving and conducting the study. Foundational Papers in Oculoplastics is relevant for anyone who is interested in oculoplastics (ophthalmologists, oncologists, plastic surgeons, etc.) and provides a nice overview of the field with interesting personal anecdotes from those who helped establish it.
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