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This collection is inspired by the idea of promoting human development in all its aspects and it presents perspectives, across the social sciences and humanities, on the journey human beings make to build and redefine their identity. It continues where the previous two volumes left off by deepening the natural conditions and human needs to respect man as he deserves and allow him to develop the potential that he contains.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
This book has been written basically to analyse a typical phenomenon concerning the media/politics nexus in contemporary Ghana by exploring how the processes of Othering are linguistically embedded in the political discourses of the state-owned Ghanaian newspaper, the Daily Graphic, when representing the relation between the ruling and opposition parties in Ghana since 1992. Secondly, the aim of this book is to demonstrate how Critical Discourse Analysis (CDA) can be applied (or broadened) to alternative settings – here, alternative settings refer to contexts in which a conflict is not the topic of the discourse – and finally, to demonstrate that the scope of CDA can be broadened to include alternative settings.
A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, ?erudite? imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light. This first of two volumes boasts five of the best-known plays of the period, each with its own historical and critical introduction...
Stefano Dall’Aglio sheds new light on the notorious Florentine Lorenzino de’ Medici (also known as Lorenzaccio) and on two of the most infamous assassinations in Italian Renaissance history. In 1537 Lorenzino changed the course of history by murdering Alessandro de’ Medici, first duke of Florence, and paving the way for the accession of the new duke, Cosimo I. In 1548 Lorenzino was killed in Venice in revenge for the assassination. The events surrounding these murders, which Dall’Aglio reconstructs, involved the Medici, their loyalists, Florentine republican exiles, and some of the most powerful sovereigns of the time. The first publication in a century to examine the life of Lorenzino de’ Medici, and the first work in English, this fascinating revisionist history is based on extensive research in the historical archives of Florence and Simancas. The tale is as gripping as a detective novel, as Dall’Aglio unravels a 500-year-old mystery, revealing who was behind the bloody death of the duke’s assassin: the emperor Charles V.
The present volume deals with popular culture from an interdisciplinary perspective. Popular culture, as an important part of the public sphere, has attracted the interest of social scientists for many decades; however, most studies tend to rely on the anthropological perspective or, less commonly, on the sociological perspective. This edited volume breaks down disciplinary barriers to bring together a plethora of methodological and theoretical approaches to the study of popular culture. Moreover, the volume will foster dialogue between international scholars conducting research on the topic.
"As he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life. 'Michelangelo, God's Architect' is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter's Basilica and other major buildings. When the Pope handed Michelangelo con...
This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past.
Essays by experts on Renaissance theatre practice and in particular on aspects of staging and set-design. Contains many photographs and drawings.