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Discovering the Human
'Discovering the Human' investigates the emergence of the modern human sciences and their impact on literature, art and other media in the 18th and 19th centuries. Up until the 1830s, science and culture were part of a joint endeavour to discover and explore the secret of life. The question 'What is life?' unites science and the arts during the Ages of Enlightenment and Romanticism, and at the end of the Romantic period, a shift of focus from the human as an organic whole to the specialized disciplines signals the dawning of modernity. The emphasis of the edited collection is threefold: the first part sheds light on the human in art and science in the Age of Enlightenment, the second part is concerned with the transitions taking place at the turn of the 19th century. The chapters forming the third part investigate the impact of different media on the concept of the human in science, literature and film.
The Connectivity of Things
A media history of the material and infrastructural features of networking practices, a German classic translated for the first time into English. Nets hold, connect, and catch. They ensnare, bind, and entangle. Our social networks owe their name to a conceivably strange and ambivalent object. But how did the net get into the network? And how can it reasonably represent the connectedness of people, things, institutions, signs, infrastructures, and even nature? The Connectivity of Things by Sebastian Giessmann, the first media history that addresses the overwhelming diversity of networks, attempts to answer all these questions and more. Reconstructing the decisive moments in which networking ...
The 19th Hole
The 19th Hole examines the design of many of the world's great golf clubhouses. It's part of the IMAGES series of titles that looks exclusively at world-best practice in architecture. The book is a photographic feast of the often-sumptuous clubhouse fit-outs that accompanies golfing at these illustrious courses. This book is endorsed by golf legend Jack Nicklaus, who names author Richard Diedrich in his foreword as possibly the only person he has ever met who truly understands the synergy that must coexist between golf courses and their clubhouses. Nicklaus and Diedrich paired up more than 25 years ago to design many of the world's newest and most prestigious clubs. Many of the world's most ...
Sleep Works
An exploration of sleep at the intersection of literature, science, and pharmacology in the early twentieth century. At the turn of the twentieth century, sleep began to be seen not merely as a passive state but as an active, dynamic process crucial to our understanding of consciousness and identity. In Sleep Works, cultural historian and literary scholar Sebastian P. Klinger explores the intriguing connections between scientific inquiry and literary expression during an era when sleep was both a scientific mystery and a cultural fascination. Scientists, physicians, and pharmaceutical companies were at the forefront of this newfound fascination with sleep: some researchers distinguished slee...
In Between
Never have there been only two genders—male and female. A third gender, denied by society and hidden by the medical community, has always existed, and that is what Sophie Schmidt discovers when, at the age of fourteen, she learns the truth of how she was born. Sophie then embarks on a journey to learn more about her true self and to find others born like her. When Sophie moves to New York City, she enters the world of gays and lesbians, as well as those who are transgender and transsexual. Searching for her own place in society, her journey leads her to Alice Parker, and Sophie takes the final steps to accept herself enough to allow another to love her.
Writing Time
Writing Time shows how serial literature based in journals and anthologies shaped the awareness of time at a transformative moment in the European literary and political landscapes. Sean Franzel explores how German-speaking authors and editors "write time" both by writing about time and by mapping time itself through specific literary formats. Through case studies of such writers as F. J. Bertuch, K. A. Böttinger, J. W. Goethe, Ludwig Börne, and Heinrich Heine, Franzel analyzes how serial writing predicated on open-ended continuation becomes a privileged mode of social commentary and literary entertainment and provides readers with an ongoing "history" of the present, or Zeitgeschichte. Drawing from media theory and periodical studies as well as from Reinhart Koselleck's work on processes of temporalization and "untimely" models of historical time, Writing Time presents "smaller" literary forms—the urban tableau, cultural reportage, and caricature—as new ways of imagining temporal unfolding, recentering periodicals and other serial forms at the heart of nineteenth-century print culture.
Visions of the Future
This book is inspired by the author’s work as part of a major international and interdisciplinary research group at the University of Konstanz, Germany: “What If—On the Meaning, Relevance, and Epistemology of Counterfactual Claims and Thought Experiments.” Having contributed to great discoveries, such as those by Galileo and Einstein, thought experiments are especially topical in the twenty-first century, since this is a concept that bridges the gap between the arts and the sciences, promoting interdisciplinary innovation. To study thought experiments in literature, it is imperative to examine relevant texts closely: this has rarely been done to date and this is precisely what this book does as a pilot study focusing on selected works of philosophy and literature. Specifically, thought experiments by Thomas Malthus are analyzed side by side with short stories and novels by Vladimir Odoevsky and Nikolai Chernyshevsky, Alexander Bogdanov and Aleksei Tolstoy, Alexander Chaianov and Nina Berberova.
Modernity and the Periodical Press
This book explores the role of periodicals in the negotiation of modernity during the late 19th and early 20th centuries and considers diverse materials from both sides of the Atlantic, including modernist magazines, advertising campaigns, comics, and scrapbooks.
