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This book presents and analyses the results of the use and adaptation of ancient Egyptian architecture in modern times. It traces the use of ancient Egyptian motifs and constructions across the world, from Australia, the Americas and Southern Africa to Western Europe. It also inquires into the cultural, economic and social contexts of this practice. Imhotep Today is exceptional not only in its global coverage, but in its analyses of thorny questions such as: what was it about Ancient Egypt that inspired such Egyptianizing monuments, and was it just one idea, or several different ones which formed the basis of such activities? The book also asks why only certain images, such as obelisks and sphinxes, were incorporated within the movement. The contributors explore how these 'monuments' fitted into the local architecture of the time and, in this context, they investigate whether 'Egyptianizing architecture' is an ongoing movement and, if so, how it differs from earlier, similar activities.
One of the massive transformations that took place in the nineteenth and early twentieth centuries was the movement of millions of people from the status of slaves to that of legally free men, women, and children. Societies after Slavery provides thousands of entries and rich scholarly annotations, making it the definitive resource for scholars and students engaged in research on postemancipation societies in the Americas and Africa.
This bibliography of 20th century literature focuses on slavery and slave-trading from ancient times through the 19th century, compiling listings from all Western European languages. It contains over 10,000 entries. The principal sections organize works by political/geographical frameworks of the enslavers. Subject/keyword and author indexes provide immediate, detailed access to the material.
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
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A collection of essays which grapple with the idea of what ancient history is, and in particular how the discipline can advance in a world that is no longer as tied to the exclusively literary methods of study epitomised by Classics .
Sobretudo, em Pelotas: escravidão e charqueadas, o historiador Euzébio Assumpção narrou a história dos trabalhadores cativos nas fábricas de salgar carnes no maior centro charqueador da América sulina. Demonstrou que o número de africanos e seus descentes no território rio-grandense foi maior que o informado pela historiografia oficial. Observou que o charque chegou a ser responsável por 85% das exportações rio-grandenses. Daí salientou importância econômica do setor que mais empregou mão de obra cativa na província. Verificou que nos saladeiros pelotenses a média de escravizados era de 64,8 trabalhadores. Porém, salientou que em algumas fábricas chegaram a ter mais de um...
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