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Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.
To Penelope Butler the family was all, the sole ambition of her adult life. Three of her four daughters, however, had different ideas. Rosemary rejected it; Jess was destroyed by it; Celia found it eluded her. Only Emily pursued her mother's ideal, with disastrous results. Penelope begins to record their family story as it unfolds. But when Rosemary discovers these private papers she is enraged by her mother's distortions of the truth and proceeds to tell the story from her perspective. From D-Day on into the turbulent post-war years, a picture emerges not only of a single family in all its complexities, but also of the changing world that shaped their lives.
‘I was born on 25th May, 1938, in the front bedroom of a house in Orton Road, a house on the outer edges of Raffles, a council estate. I was a lucky girl.’ So begins Margaret Forster’s journey through the houses she’s lived in, from that sparkling new council house, to her beloved London home of today. This is not a book about bricks and mortar though. This is a book about what houses are to us, the effect they have on the way we live our lives and the changing nature of our homes: from blacking grates and outside privies; to cities dominated by bedsits and lodgings; to the houses of today converted back into single dwellings. Finally, it is a gently insistent, personal inquiry into the meaning of home.
Don and Louise's eighteen-year-old daughter Miranda has died in a sailing accident. While Louise takes steps to move on with her life, Don cannot come to terms with the chain of events that led to her death. Instead, he is determined to bring someone to account. The surviving children handle the loss of their sister better than their parents, but what they can't handle is their family being torn apart... Taut, heartbreaking and immensely moving, Over is a novel about love and loss, grief and hope, pain and resolution, and about what happens to human beings when tragedy strikes like lightening.
What is a 'good wife'? The bestselling author of Hidden Lives explores four marriages, including her own, in different times and societies to find the answer. In 1848 Mary Moffatt became the wife of the missionary and explorer David Livingstone - and her obedience and devotion eventually killed her. In 1960, Margaret Forster married her school sweetheart Hunter Davies in a London Registry Office - and interpreted the role very differently. Between these two marriages is a huge gulf in which the notion of marriage changed immeasurably. Forster traces the shift in emphasis from submission to partnership, first through the marriage of one unconventional American, Fanny Osbourne, to Robert Louis Stevenson, in the late nineteenth century; and then through that of Jennie Lee to Aneurin Bevan in the 1930s. Why does a woman still want to be a wife in the twenty-first century? What is the value of marriage today? Why do couples still marry in church? These are some of the questions Forster asks as she weaves the personal experience of forty years through the stories of three wives who have long fascinated her.
What do Mrs H., Rachel, Edwina, Ida, Sarah, Dot, Chrissie have in common? They're all women, but they're fat, thin, old, young, married or single - and appear as diverse as human nature can be. But they are all survivors. This enthralling novel follows the ripples that go out into ordinary lives that have been changed by a shared experience, all connected by the same hospital clinic in a small Northern town. This is a novel about what it means to live in the shadow of disease, and with scars, whether mental or physical. From the marvellous ambivalence of the title question, it leaves us with a whole lot more to consider about life and its infinite variety.
Golden girl - Marriage, motherhood & "Rebecca"--War years - "The breaking point"--Death of the writer.
‘Compelling...taut and suspenseful’ Guardian Tara Fraser has a secret. Desperate to escape herself and her past, she changes her name, packs up her London home and moves to a town in the North of England where she knows no one. But one of her new neighbours, Nancy, is intrigued by her. And as hard as Tara tries to distance herself, she starts to drop her guard. Then a letter arrives. An old friend wants to meet up. Struggling to keep her old life at bay, Tara soon discovers the dangers of fighting the past.
Margaret Forster presents the 'edited' diary of a woman, born in 1901, whose life spans the twentieth century. On the eve of the Great War, Millicent King begins to keep her journal and vividly records the dramas of everyday life in a family touched by war, tragedy, and money troubles. From bohemian London to Rome in the 1920s her story moves on to social work and the build-up to another war, in which she drives ambulances through the bombed streets of London. Here is twentieth-century woman in close-up coping with the tragedies and upheavals of women's lives from WWI to Greenham Common and beyond. A triumph of resolution and evocation, this is a beautifully observed story of an ordinary woman's life - a narrative where every word rings true.
“Fascinating . . . The reader is treated to a revealing account of the passionate romance between Elizabeth Barrett and Robert Browning through the eyes of an intimate observer.”—Booklist Young and timid but full of sturdy good sense and awakening sophistication, Lily Wilson arrives in London in 1844, becoming a lady’s maid to the fragile, housebound Elizabeth Barrett. Lily is quickly drawn to her mistress’ s gaiety and sharp intelligence, the power of her poetry, and her deep emotional need. It is a strange intimacy that will last sixteen years. It is Lily who smuggles Miss Barrett out of the gloomy Wimpole Street house, witnesses her secret wedding to Robert Browning in an empty ...