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A collection of correspondence, research papers, typescripts, lectures and associated material relating to the donor's original fine arts research. This collection includes information on Australian and Queensland artists, Isaac Walter Jenner (1836-1902), Julian Rossi Ashton (1851-1942), Vida Lahey (1882-1968), J.A. (Joseph Augustus) Clarke (1840-1890), Oscar (Carl Magnus Oscar) Fristrom, (1856-1918), and William MacLeod. Much of the research material was used in preparation for the publication of "Fine art exhibitions in Brisbane, 1884-1916" by Julie K. Brown, and Margaret Maynard.
This is the first work to survey dress around the world, drawing together issues of consumption, ethnicity, gender and the body, as well as anthropological accounts and studies of representation. It examines international western style dress, including jeans and business suits, headwear and hairdressing, ethnicity and so called "ethnic chic," clothes for the tourist market, the politicization of traditional dress, "alternative" dressing, and T-shirts as temporary markers of identity. It also considers dress and environmental issues, touching on adventure gear, the "green" consumer and the possible impact of "smart" clothing.
Through object-based case studies of garments from the ancient past through to the 21st century, Margaret Maynard reveals the countless ways the temporal is woven into our attire. From the physical effects of age on garments to their changing cultural significance, time and fashion are inextricably linked. Every garment has its own pace and narrative, and every dress practice is rich with temporal associations: 'wearing' time in the form wristwatches, marking key moments in time from marriage to death, 'defying' time with beauty products, preserving and re-imagining time through vintage, and concepts of 'timeless' and 'classic' styles. This ground-breaking book presents a complete rethinking of the study of global fashion history, revealing the complex nature of changing fashion when viewed through the lens of time and challenging Eurocentric approaches such as the periodization of style and the arbitrary division of 'western' and 'non-western' fashion. Fashion in Time is essential reading for students and scholars of fashion and dress history, material culture studies, cultural anthropology, archaeology and related fields.
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Shows how Australian women have created their own sense of national and regional identity through their dress and in so doing puts a new slant on the history of Australian women's fashion in the twentieth century. This book argues that Australian women's fashions may be superficially derivative, but that there are patterns of dress.
From the first white settlement clothing was of vast social significance to Australians. It was central to the ways class and status were negotiated and equally significant for marking out sexual differences. Dress was implicated in definitions of morality, in the relationship between Europeans and Aboriginal people, and between convict and free. This book reveals the broader historical and cultural implications of clothes in Australia for the first time.
This special issue looks at technology and fashion, dress in film and television, masculinity, second-hand clothing, wedding dresses, veiling, celebrity dressing, fashion and place, dress and youth, the fashion model, and challenges to the traditional industry practice.
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