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Isobel Reid offers a concise account of the origins, establishment, and some internal dynamics of the Livingstonia Mission, in particular those impacting missionary families as seen through the eyes of a young missionary couple at its Bandawe station. This study not only demonstrates a general awareness of the roie and initiative of the people of Northern Malawi, among whom and with whom the Scottish missionaries lived and worked, but also of the specific importance of interpersonal relationships between Scottish and Malawian women - as in the case of Marie Martin and her Tonga women friends. Race as the primary dividing line was thus subverted by mutual gender awareness. From 1978 Isobel Reid, a qualified nurse/midwife, with her doctor husband and young family lived for 18 months on Ekwendeni CCPA Mission Station before transferring to Mzuzu where Dr. Reid was in charge of St John's Roman Catholic Mission Hospital for four further years. A consequent academic interest in mission history resulted in an MTh (Edinburgh 1999) which provided the basis for this book.
This highly sympathetic and deeply personal account of Malawi's experience of colonialism has particular poignancy as it is written from the marginal perspective of a mixed-race child in a race-conscious society. The author also has a keen eye for the Scottish dimension in Malawi's story. Historically revealing, politically provocative, and humanly intriguing, this book will be a rewarding read for anyone seeking a better understanding of the people who made Malawi the country it is today.
Women played a vital role in the shaping of the West in Canada between the 1880s and 1940s. Yet surprisingly little is known about their contributions or the differences sex and gender made to the opportunities and obstacles women encountered. Telling Tales contributes to the rewriting of western Canada's past by integrating women into the shifting power matrix of class, race, and gender that formed the basis of colonization and settlement. Telling Tales both challenges founding myths of the region and inspires rethinking of how we tell the story of western Canadian colonization and settlement.
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From the Arthur Ellis Award–winning Grand Master of Crime Writers comes the next installment in the Joanne Kilbourn series When Joanne Shreve’s former student, Val Masluk, writes the biography of acclaimed novelist, Steven Brooks, Val once again becomes part of Joanne’s life. The biography is already raising troubling questions about Brooks’s past, and the wedding of Brooks’s daughter, Joanne’s son, is scheduled the day before the biography is published. Both Joanne and her former student are haunted by memories of the seminar that led to the deaths of two people and the murder conviction of a third. The publication of the Brooks biography poses a threat not only to the future of the man and woman about to be married, but also to the futures of those who love them. Joanne is certain that the threat is rooted in either her past or in that of Steven Brooks. The collateral damage caused by exposing that link will bring pain to both families, but life has taught Joanne that the only thing worse than knowing is not knowing.