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The Spanish Arcadia analyzes the figure of the shepherd in the sixteenth- and seventeenth-century Spanish imaginary, exploring its centrality to the discourses on racial, cultural, and religious identity. Drawing on a wide range of documents, including theological polemics on blood purity, political treatises, manuals on animal husbandry, historiography, paintings, epic poems, and Spanish ballads, Javier Irigoyen-García argues that the figure of the shepherd takes on extraordinary importance in the reshaping of early modern Spanish identity. The Spanish Arcadia contextualizes pastoral romances within a broader framework and assesses how they inform other cultural manifestations. In doing so, Irigoyen-García provides incisive new ideas about the social and ethnocentric uses of the genre, as well as its interrelation with ideas of race, animal husbandry, and nation building in early modern Spain.
The Spanish Craze is the compelling story of the centuries-long U.S. fascination with the history, literature, art, culture, and architecture of Spain. Richard L. Kagan offers a stunningly revisionist understanding of the origins of hispanidad in America, tracing its origins from the early republic to the New Deal. As Spanish power and influence waned in the Atlantic World by the eighteenth century, her rivals created the "Black Legend," which promoted an image of Spain as a dead and lost civilization rife with innate cruelty and cultural and religious backwardness. The Black Legend and its ambivalences influenced Americans throughout the nineteenth century, reaching a high pitch in the Span...
This edited collection explores the pivotal role of the hotel industry in building Western Europe’s tourism economy during the 20th century. The book brings together ten contributions focused on the same period, 1900-1970, to offer comparative perspectives from across the region including Italy, Switzerland, France, Spain and Britain. Drawing on historical case studies, chapters illuminate the different factors linking hotels and the broader tourism system including interventions of the public authorities and the State, the importance of private involvement, commercial strategies, the medium-term development of private hotels, hotel entrepreneurship, and the impact of economic crises and wars. By placing differing national approaches taken to the growth of the hotel industry in comparison, the book aims to fill a gap in the historiography of European hospitality and shed light on the wider impact of hotels and tourism on economic development at both a national and regional level. It will be of interest to a range of scholars, including in economic and business history, tourism studies, the history of tourism management, and social history.
This bibliography is a supplement to the one previously published by Brill in 1988. This one covers material from 1984 to 2003. The chronology has been expanded to begin in the fourth century. Numerous Iberian Church Fathers not represented in the first one are now incorporated. The book contains author and subject indexes and is cross-referenced throughout.
This bibliography lists the most important works published in anthropology in 1995. Renowned for its international coverage and rigorous selection procedures, IBSS provides researchers and librarians with the most comprehensive and scholarly bibliographic service available in the social sciences. IBSS is compiled by the British Library of Political and Economic Science at the London School of Economics, one of the world's leading social science institutions. Published annually, IBSS is available in four subject areas: anthropology, economics, political science and sociology.
Commemorations that shaped major elements of Spanish identity at the beginning of the 20th century are full of centennials and anniversaries that elaborate and renew the Spanish national mythology. In Centennial Fever Javier Moreno-Luzón, one of the most prominent Spanish historians of his generation, studies the milestones that defined transnational dimensions of celebration at the beginning of the 20th century including the Peninsular War, the first Spanish Constitution, the independence of Latin American States, the “discovery” of the Pacific Ocean and the death of Miguel de Cervantes and the publication of Don Quixote of La Mancha. Through these truly global events, a cultural community is created, called “Hispanoamerica” or “La Raza”, on which Spanish nationalism has become dependent.
Originally published in Dutch and translated to Spanish for the fourth centenary celebration of the death of El Greco in 2014, this book is a comprehensive study of the rediscovery of El Greco -- seen as one of the most important events of its kind in art history. The Nationalization of Culture versus the Rise of Modern Art analyses how changes in artistic taste in the second half of the nineteenth century caused a profound revision of the place of El Greco in the artistic canon. As a result, El Greco was transformed from an extravagant outsider and a secondary painter into the founder of the Spanish School and one of the principle predecessors of modern art, increasingly related to that of ...
Joaquín Sorolla y Bastida (1863-1923) studied painting from the age of 15 in his native Valencia, then in Madrid and eventually Rome. On his return to Spain, he became the major portraitist of his time, and worked with subjects including King Alphonso and Queen Victoria Eugénie. Like John Singer Sargent (1856-1925), whose career was unfolding on American shores, Sorolla remained firmly outside of the Impressionist vanguard and was all but indifferent to other popular artistic movements of the day, but nevertheless achieved international renown in the late 1800s and early 1900s. Both artists focused on society portraits but also undertook independent work and commissions for cultural instit...
Provides a fascinating study of the iconography of altarpieces and the artistic collaboration between Jews and Christians.
Art-writing at its most useful should share the dynamism, fluidity and passions of the objects of its enquiry, argues Marina Warner. In this new anthology of some of her most compelling work, she captures the visual experience of the work of several artists with a notable focus on the inner lives of women through an exploration of the range of stories and symbols to which they allude. Metamorphosis features vividly in the imagery, stories and media of the art that Warner has chosen to write about: in connection with animals in the work of Louise Bourgeois, for instance; with the Catholicism of Damien Hirst; and with performance as a medium of memory and resistance in the installations of Joa...