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Medievalism and Modernity
Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa
Shaping a Monastic Identity
During the eleventh and early twelfth centuries, the imperial abbey of Farfa was one of the most powerful institutions on the Italian peninsula. In this period many of the lands of central Italy fell under its sway, and it enjoyed the protection of the emperor until the 1120s, when it passed gradually into the control of the papacy. At the same time, the monastery was an influential religious center, and the monks of Farfa filled their days with the celebration of the liturgy through prayers, processions, sermons, chants, and hymns.Susan Boynton, a historian of medieval music, addresses several of the major themes of present-day medieval historiography through a close study of the liturgical...
Air Force Magazine
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A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700
This companion volume seeks to trace the development of ideas relating to death, burial, and the remembrance of the dead in Europe from ca.1300-1700.
The Uses of the Bible in Crusader Sources
The Uses of the Bible in Crusader Sources sets out to understand the ideology and spirituality of crusading by exploring the biblical imagery and exegetical interpretations which formed its philosophical basis. Medieval authors frequently drew upon scripture when seeking to justify, praise, or censure the deeds of crusading warriors on many frontiers. After all, as the fundamental written manifestation of God’s will for mankind, the Bible was the ultimate authority for contemporary writers when advancing their ideas and framing their world view. This volume explores a broad spectrum of biblically-derived themes surrounding crusading and, by doing so, seeks to better comprehend a thought world in which lethal violence could be deemed justifiable according to Christian theology. Contributors are: Jessalynn Bird, Adam M. Bishop, John D. Cotts, Sini Kangas, Thomas Lecaque, T. J. H. McCarthy, Nicholas Morton, Torben Kjersgaard Nielsen, Luigi Russo, Uri Shachar, Iris Shagrir, Kristin Skottki, Katherine Allen Smith, Thomas W. Smith, Carol Sweetenham, Miriam Rita Tessera, Jan Vandeburie, Julian J. T. Yolles, and Lydia Marie Walker.
The Corpse as Text
Between 1700 and 1900, the subject of disinterment (exhumation) attracted the attention of antiquaries, who constructed a comprehensive memory of the past by 'reading' corpses as documents describing an idealised past. Between 1700 and 1900, the sixteenth and seventeenth centuries were stereotyped, idealised, and held as a standard by which the present time could be measured. Various figures in politics, academia, and the church pointed to historical persons such as Henry VIII, Shakespeare, Charles I, and Oliver Cromwell as icons whose lives, deaths and corpses illustrated the victories of English Protestantism, the values of Monarchism (or Republicanism), and the superiority of the English ...
DREAMS IN EARLY MEDIEVAL ART. (VOLUMES I AND II) (HAGIOGRAPHY, ROMANESQUE).
nature and function of dream representation. An alphabetically arranged appendix lists the dream scenes gathered for the study and provides information about their present location, object type, original provenance, and approximate date, and, when known, a source for locating an illustration.
