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Identity as a concept does not appear in psychoanalysis until the work of Erik Erikson in the 1950s, but today it is considered a key factor in understanding individuals and groups. It is a concept of enormous complexity, encompassing biological aspects, internalised object representations that determine the inner world of the subject, and relational aspects in the real world. Answering the question, 'Who am I really?' is a task that can span a lifetime. Constructing one's own identity involves social, cognitive-rational, and unconscious processes. These elements underpin the answer to this question and its corollary, 'What is my value?' As we move from looking at individuals in isolation to...
The South China enclave of Macau was the first and last European colonial settlement in East Asia and a territory at the crossroads of different empires. In this highly original study, Helena F. S. Lopes analyses the layers of collaboration that developed from neutrality in Macau during the Second World War. Exploring the intersections of local, regional and global dynamics, she unpacks the connections between a plurality of actors with competing and collaborative interests, including Chinese Nationalists, Communists and collaborators with Japan, Portuguese colonial authorities and British and Japanese representatives. Lopes argues that neutrality eased the movement of refugees of different nationalities who sought shelter in Macau during the war and that it helped to guarantee the maintenance of two remnants of European colonialism – Macau and Hong Kong. Drawing on extensive research from multilingual archival material from Asia, Europe, Australasia and America, this book brings to light the multiple global connections framing the experiences of neutrality and collaboration in the Portuguese-administered enclave of Macau.
Provides detailed tips and advice to ensure early career psychiatrists and those that wish to enhance their practical psychiatry skills are prepared for all scenarios.
Authored by over 500 internationally acclaimed expert editors and chapter authors from around the world. Completely updated and expanded with almost 40 new chapters. Significantly increased attention to the role of culture in all aspects of evaluation and care. New sections on Digital Mental Health Services and Technologies, Treatment Issues in Specific Populations and Settings, and on Prevention, Systems of Care, and Psychosocial Aspects of Treatment address key advances. This edition is the first comprehensive reference work to cover the entire field of psychiatry in an updateable format, ensuring access to state of the art information. Earlier editions were called “the best current text...
The collective volume “Modern Forms of Work. A European Comparative Study” evokes the intent to embody a reflection focused on modern labour law issues from a comparative perspective. A first set of essays contains national reports on modern forms of work. The second group contains some reflections regarding critical issues on digitalization, platforms and algorithms, analysing the different facets of the galaxy of digital work. The third group of essays flows into the section entitled “new balances and workers’ rights in the digital era”, a crucial topic in the debate. The complex of the writings, despite the diversity of approaches and methods, reveals the existence of a dense and inexhaustible dialogue between young scholars, at European and extra-European level. The analysis of new forms of work – the offspring of transnational processes of globalization and technologization – forms a fertile ground for experimenting a transnational dialogue on which young researchers can practice with excellent results, as this small volume confirms.
In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.
Over the course of the last decade, political and mental entities at large have embraced global mental health: the idea that psychiatric health is vital to improved quality of life. Physicians globally have implemented guidelines recommended by the National Institute of Mental Health (NIMH) in 2007, thereby breaking down barriers to care and improving quality of life in areas where these practices have been implemented. Programs for training and education have expanded as a result. Clinicians benefit more from both local resources in some regions as well as in international collaboration and technological advancements. Even amidst all of these positive outcomes, clinicians still face some st...
This volume explores the images of Alexander the Great from the fifteenth and sixteenth centuries, how they came about, and why they were so popular. In contrast to the numerous studies on the historical and legendary figure of Alexander, surprisingly few studies have examined, in one volume, the visual representation of the Macedonian king in frescoes, oil paintings, engravings, manuscripts, medals, sculpture, and tapestries during the Renaissance. The book covers a broad geographical area and includes transalpine perspectives. Ingrid Alexander-Skipnes examines the role that humanists played in disseminating the stories about Alexander and explores why Alexander was so popular during the Renaissance. Alexander-Skipnes offers cultural, political, and social perspectives on the Macedonian king and shows how Renaissance artists and patrons viewed Alexander the Great. The book will be of interest to scholars working in art history, Renaissance studies, ancient Greek history, and classics.