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The Learned Draftsman
  • Language: en
  • Pages: 314

The Learned Draftsman

  • Categories: Art

The celebrated French artist Edme Bouchardon (1698–1762) is primarily known as a sculptor today, but his contemporaries widely lauded him as a draftsman as well. Talented, highly innovative, and deeply invested in the medium, Bouchardon made an important contribution to the European art and culture of his time, and in particular to the history of drawing. Around two thousand of his drawings survive—most of which bear no relation, conceptual or practical, to his sculpture—yet, remarkably, little scholarly attention has been paid to this aspect of his oeuvre. This is the first book-length work devoted to the artist’s draftsmanship since 1910. Ambitious in scope, this volume offers a co...

The Age of Watteau, Chardin, and Fragonard
  • Language: en
  • Pages: 432

The Age of Watteau, Chardin, and Fragonard

  • Categories: Art

Leading scholars shed light on the development of genre painting in this heavily illustrated volume.

The Floral Art of Pierre-Joseph Redouté
  • Language: en

The Floral Art of Pierre-Joseph Redouté

Pierre-Joseph Redoute (1759-1840) is the best known botanical artist of any era. Described as the "Rembrandt" and the "Raphael" of flowers by 19th-century writers, Redoute brought the tradition to its apogee. This text accompanies the first ever exhibition of his work in the USA held in July 2002.

East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe
  • Language: en
  • Pages: 280

East Asian Aesthetics and the Space of Painting in Eighteenth-Century Europe

  • Categories: Art

An insightful look at how East Asian notions of space transformed Western painting. This volume offers the first critical account of how European imports of East Asian textiles, porcelain, and lacquers, along with newly published descriptions of the Chinese garden, inspired a revolution in the role of painting in early modern Europe. With particular focus on French interiors, Isabelle Tillerot reveals how a European enthusiasm for East Asian culture and a demand for novelty transformed the dynamic between painting and decor. Models of space, landscape, and horizon, as shown in Chinese and Japanese objects and their ornamentation, disrupted prevailing design concepts in Europe. With paintings no longer functioning as pictorial windows, they began to be viewed as discrete images displayed on a wall—and with that, their status changed from decorative device to autonomous work of art. This study presents a detailed history of this transformation, revealing how an aesthetic free from the constraints of symmetry and geometrized order upended paradigms of display, enabling European painting to come into its own.

Chardin
  • Language: en
  • Pages: 50

Chardin

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Chardin
  • Language: en
  • Pages: 293

Chardin

  • Type: Book
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  • Published: 1996
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  • Publisher: Unknown

Jean Baptiste Simeon Chardin, the still-life artist of 18th-century France, was born in Paris in 1699. Having received no formal training, he rose to become one of the most highly-regarded painters of his lifetime, his work widely exhibited and sought by the rich and famous. His still-lifes, composed of simple elements, are exceptional in their depth of tone and striking in their directness. The genre scenes depict the domesticity of everyday bourgeois life, unsentimentalized and unidealized.

French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
  • Language: en
  • Pages: 413

French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution

  • Categories: Art

This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste...

Fifteenth- to Eighteenth-century European Drawings
  • Language: en
  • Pages: 490

Fifteenth- to Eighteenth-century European Drawings

  • Categories: Art

"Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, inc...

Adélaïde Labille-Guiard
  • Language: en
  • Pages: 140

Adélaïde Labille-Guiard

  • Categories: Art

This is an exploration of the life and works of one of revolutionary France's most significant female artists. It traces the story of her rise and fall in the context of her tumultuous times.