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A Queer History of Flamenco offers a groundbreaking exploration of flamenco through the lenses of queer theory and cultural studies. Previous histories have provided a largely distorted image about why, where, and how people have done flamenco—as well as who has performed flamenco. Yet feminists, transvestites, butches, femmes, the Spanish Roma, disabled people, guiris, and “incomprehensible” artists have been determined to do things differently without giving up their flamenco status. In this skillful translation of his book Historia queer del flamenco, Fernando López Rodríguez draws on diverse archival materials as well as his own lived experience and artistic practice, unearthing ...
Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s.
L'Assommoir is analysed as a social and political novel and in the context of its repercussions in the history of the novel.