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Long considered a classic in Bolivia, Juan de la Rosa tells the story of a young boy's coming of age during the violent and tumultuous years of Bolivia's struggle for independence. Indeed, in this remarkable novel, Juan's search for his personal identity functions as an allegory of Bolivia's search for its identity as a nation. Set in the early 1800s, the novel is narrated by one of the last surviving Bolivian rebels, octogenarian Juan de la Rosa. Juan recreates his childhood in the rebellious town of Cochabamba, and with it a large cast of full bodied, Dickensian characters both heroic and malevolent. The larger cultural dislocations brought about by Bolivia's political upheaval are echoed ...
This book examines the Spanish response, military, economic and social, to the anti-imperial revolutions of Latin America in the early nineteenth century. History has for the most part concentrated on the heroic careers of the great liberators of America: but what did Spaniards themselves think of Simón Bolivar and his fellow revolutionaries? How did they view the events in America? What policies were adopted, what were their effects on Spanish trade and the merchants who conducted it, and what action did Spain take to meet American demands or to suppress them? It is with these and many related questions that this study is concerned. Analysing a broad spectrum of Spanish opinion which reflects the views of politicians, diplomats, merchants, journalists, the military and others, Professor Costeloe explains how Spaniards responded to revolution and how in retrospect, in the aftermath of defeat, they regarded the end of their nation's long role as a major imperial power.
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This book proposes a comparative study of the history of manuals of political economy in the most representative countries for the development of economics in the 19th and early 20th centuries demonstrating and the 'professionalisation' of economics.
Cuban Studies 38 examines topics that include: liberalism emanating from Havana in the early 1800s; Jose Martí's theory of psychocoloniality; the relationship between sugar planters, insurgents, and the Spanish military during the revolution; new aesthetics in Cuban cinema, the “recovery” of poet José Angel Buesa, and the meaning of Elián Gonzales in the context of life in Miami.