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Políticas públicas do patrimônio cultural: ensaios, trajetórias e contextos
O presente e-book originou-se a partir dos artigos dos alunos do Mestrado do Programa de Pós-Graduação em Memória Social e Patrimônio Cultural da Universidade Federal de Pelotas (UFPel) realizados para a disciplina Políticas Públicas do Patrimônio, ministrada pelos professores Ana María Sosa González e Cláudio de Sá Machado Jr., organizadores deste livro, no primeiro semestre de 2012. Portanto, representa o esforço para traduzir em texto parte das discussões realizadas em sala de aula, abordando os processos patrimoniais que vem acontecendo nos últimos anos no Brasil e no mundo. Este e-book também teve sua origem a partir de convites especiais, feitos pela professora Francisca Ferreira Michelon com colaboração dos professores supracitados a pesquisadores que desenvolvem trabalhos referentes ao tema.
Espaços e sociabilidades no mundo ibero-americano
Esta coletânea em torno do conceito de cultura no contexto ibero-americano chega em boa hora. Os textos aqui inseridos são fruto do diálogo crítico às voltas com diversos objetos da pesquisa em história e no âmbito do debate historiográfico qualificado (oriundo, inclusive, de seleção qualitativa e revisão por pareceres). Eles problematizam, no seu bojo, o escopo analítico ibero-americano em sua historicidade e múltiplas margens (internas, externas, políticas, mnemônicas, simbólicas, discursivas). Com isso, nos faculta múltiplas visões que – na multidimensionalidade polêmica do conceito – caracterizam, sempre provisoriamente, aquilo que une e desune, amarra e afrouxa, ou seja: o(s) laço(s) discursivo(s) da(s) cultura(s) no(s) contexto(s) ibérico(s) e americano(s).
The Art and Archaeology of Venetian Ships and Boats
Presents a brief history of Venetian art and then catalogues each known piece of Venetian art that depicts watercraft. Through detailed analysis of these images the author reveals important facts about the construction, rigging, and use of these watercraft.
Brasil contemporâneo
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The Age of the ΔΡΟΜΩΝ
This volume examines the development and evolution of the war galley known as the Dromon, and its relative, the Chelandion, from first appearance in the sixth century until its supercession in the twelfth century by the Galea developed in the Latin West. Beginning as a small, fully-decked, monoreme galley, by the tenth century the Dromon had become a bireme, the pre-eminent war galley of the Mediterranean. The salient features of these ships were their two-banked oarage system, the spurs at their bows which replaced the ram of classical antiquity, their lateen sails, and their primary weapon: Greek Fire. The book contextualizes the technical characteristics of the ships within the operational history of Byzantine fleets, logistical problems of medieval naval warfare, and strategic objectives. Surviving Byzantine sources, especially tactical manuals, are subjected to close literary and philological analysis.
Between Constantinople and Rome
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for w...
Greeks and Latins in Renaissance Italy
The twelve essays in this new collection by John Monfasani examine how, in particular cases, Greek émigrés, Italian humanists, and Latin scholastics reacted with each other in surprising and important ways. After an opening assessment of Greek migration to Renaissance Italy, the essays range from the Averroism of John Argyropoulos and the capacity of Nicholas of Cusa to translate Greek, to Marsilio Ficino's position in the Plato-Aristotle controversy and the absence of Ockhamists in Renaissance Italy. Theodore Gaza receives special attention in his roles as translator, teacher, and philosopher, as does Lorenzo Valla for his philosophy, theology, and historical ideas. Finally, the life and writings of a protégé of Cardinal Bessarion, the Dominican friar Giovanni Gatti, come in for their first extensive study.
An American Painter in Venice
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
