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Composed in French in twelfth-century England, these twelve brief verse narratives center on the joys, sorrows, and complications of love affairs in a context that blends the courtly culture of tournaments and hunting and otherworldly elements such as self-steering boats, shape-shifting lovers, and talking animals. Popular with readers across countries and languages since their composition, the Lais have made their author, Marie, one of the most famous women writers of the Middle Ages, renowned for her brilliant use of language and cultural allusion as well as her keen eye for human behavior. This new edition provides a complete facing-page edition with the original text alongside a new modern English translation. A single manuscript, Harley 978, is used as the copy text. Appendices include contemporary literature on love, animals, and courtly life, as well as a list of textual variants in other manuscripts.
This edition includes Edward Gallagher's prose translations of The Lays of Marie de France; a general introduction; a map; commentaries on the lays; two anonymous Breton lays—-The Lay of Melion and The Lay of Tyolet; a glossary of proper names; a glossary of specialized terms; and an appendix of selected texts in the Old French, including Marie's Prologue, Guigemar, Bisclavret, and Yonec.
Marie de France’s beautiful poems of courtly love, enchantment, and mystery are now available in a Norton Critical Edition. Winner of the 2016 Northern California Book Award for Translation of Poetry. Honorable Mention for the 2015 Modern Language Association's Aldo and Jeanne Scaglione Prize For Translation of a Literary Work. Marie de France was a medieval poet who was probably born in France and who lived in England during the twelfth century. Prominent among the earliest poets writing in the French vernacular, Marie de France helped shape the style and genres of later medieval poetry. This Norton Critical Edition includes all of Marie’s lais (short narrative verse poems); selected fa...
Esopische fabels van de 12e eeuwse Bretonse dichteres.
Dorință mascată de putere sau devotament sincer față de aproape? Aceasta e doar una dintre întrebările pe care le pune în lumină romanul lui Groff. Marie, o bastardă la curtea regală franceză, e trimisă la vârsta de șaptesprezece ani să se ocupe în Anglia de o mănăstire aflată în paragină. Odată devenită stareță, Marie (viitoarea poetă faimoasă pentru laiurile sale) o reconstruiește din temelii: dintr-un loc stăpânit de foamete și boală, abația ajunge să le ofere siguranță și prosperitate măicuțelor. Un scut în fața oricăror adversități, mănăstirea devine un spațiu aproape utopic, stârnind vâlvă și stupoare. Inspirată de viziunile pe care le are cu fecioara Maria, stareța își cultivă însă nestingherită propriile ambiții, căutând, totodată, un sens măreț în existența ei și a surorilor sale. Eroina cu inteligență ascuțită și spirit întreprinzător, meditația asupra credinței religioase, asupra sacralității și senzualității fac din captivantul roman al lui Lauren Groff o lectură de actualitate.
The leading edition of the work of the earliest known French woman poet—the subject of Lauren Groff’s bestselling novel Matrix Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais—stories in verse based on Breton tales of chivalry and romance—are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblew...
Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.