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The Art of the Shoe
What is more common than a pair of shoes? In a world where shoes have become an object of mass consumption, these accessories are now rid of any significance. The industry has accomplished its duty: producing a large quantity at a low price. But there was a time when the shoe symbolised the strength of the Roman legion, the power of the Medieval lords or the oppression of the Chinese woman. Its history is both vast and enthralling, as revealed by the author Marie-Josèphe Bossan. Supporting her analysis with an outstanding iconography, the author gives these commonplace objects a universal quality that sheds light on the whole of civilisation and elevates them to the rank of a work of art.
Footnotes
Scholars of literature and culture from the US and Britain investigate why western culture has acquired a fascination with footwear. They explore the representation of shoes in popular entertainment, advertising, fashion, museums, and scholarly accounts. Annotation copyrighted by Book News Inc., Portland, OR
The Totally Gross History of Ancient China
A unique overview of the fashion and dress, diet, hygiene, medicine, and other cultural aspects of the ancient Chinese. This entertaining yet informative book details practices that may seem peculiar to today’s students, while respectfully contextualizing another culture and time, especially one as ancient, rich, and foundational as that of ancient China. Readers are drawn in by the sometimes distasteful details—the fun “gross-out” factor—but also gain an appreciation of the inventiveness, sophistication, and practicality of the ancient Chinese. Overall, this title is a lively exploration of the scientific and cultural practices of a pre-modern civilization.
Méliès Boots
Before he became an influential cinematic innovator, Georges Méliès (1861–1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès’ career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès’ unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group’s relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès’ work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution.
A Foot in the Past
During the Enlightenment, in a society that was increasingly urbanised and mobile, footwear was an essential item of apparel. This book considers not only the practical but also the symbolic meaning of footwear in France and England during the period from the end of the seventeenth to the mid nineteenth century.
La Divine Comtesse
Issued in conjuction with the exhibition of the same title held at the Metropolitan Museum of Art, New York, 18 Sept. - 31 Dec. 2000.
Rococo
Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term ‘Rococo’. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linked to its predecessor, Baroque, and it is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its golden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.
Clarks: Made to Last
Clarks' reach extends to all corners of the globe and yet it remains a family-owned business firmly rooted in its Quaker origins, (unlike other well known Quaker firms like Cadburys, now part of US giant Kraft.) Founded in 1825 by two brothers, Cyrus and James Clark, the company began as a rug-making operation in the then tiny village of Street, Somerset. One day, James Clark began making slippers from off-cuts of rugs and found that people wanted to buy them. Slippers became shoes and boots - and a business was born. Over the years it has had its ups and downs but it has always strived to remain true to its Quaker values in its commitment to the well-being of its workforce and the local com...
Representations of Female Identity in Italy
This volume explores a variety of iconic female characters in Italian literature, art and film who depict distinct representatives of female identity within this national culture. The contributors here apply various methodologies to characterize the evolution of women’s identity and their representation in such expressive modalities, drawing from literature, film, drama, history, the humanities, media and cultural studies. Cross-genre, cross-cultural, and cross-national explorations are also utilised here in order to underline the multifaceted ways in which de facto female characterization occurred.
