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This volume addresses three things many people do not discuss candidly with strangers or mere acquaintances: God, sex, and politics. These can easily become topics of fierce debate, particularly when taken together, as has been the case with same-sex marriage legislation, the Vatican’s criticism of “gender ideology,” or the repeatedly asserted claim that Islam, homosexuality, and gender equality are essentially incompatible. This volume investigates what is at stake in these constructions of religion and homosexuality in public discourses. Starting with the Netherlands as a special case study, it proceeds with contributions on other predominantly postsecular countries in central, northern, and southern Europe as well as several postcommunist and postcolonial countries “beyond Europe.” Combining contemporary and historical perspectives and approaches from both the humanities and the social sciences, the contributors explore how national and European identities are constructed and contested in debates on religion and homosexuality. Chapter 2 and Chapter 8 of this book are available open access under a CC BY 4.0 license at link.springer.com.
This book explores the critical and transformative potential of arts and popular culture for constructions of religion, gender and sexuality. Doing so, it deploys and develops the notion of blasphemous art, honouring and building on the work of Anne-Marie Korte. Deliberately articulated with a question mark, Blasphemous Art? raises questions about the spaces, methods and resources available to individuals and communities at the gendered, sexual and racialized margins of society to tell their stories, claim their bodies and perform symbolic and sacred meaning, and it analyses the productive effects – both aesthetically, politically and theoretically – of such provocative work. The book focuses on a wide range of artistic and cultural expressions, featuring case studies from across Europe, South Africa, Israel and the United States. Drawing on feminist, queer and postcolonial perspectives, the book reveals the critical, constructive and imaginative potential of the creative arts (broadly defined) and popular culture in its complex and diverse representation of, and engagement with, religious life, belief, text, ritual and practice.
More than ever before there is a need for in-depth dialogue between theology and sciences with regard to gender and human sexuality. This is especially true for Christian communities that are increasingly challenged by the many questions and experiences people have. This book provides the material to explore the various views and bring them together from a Christian perspective, based on a theological account of desire. It shows how gender, sexuality, and faith are positively connected without losing out on deep Christian values and norms.
This book situates the discourse on the gendered body within the rapidly transitioning South Asian socio-economic and cultural landscape. It critically analyzes gender politics from different disciplinary perspectives including psychoanalysis, post-structuralism, post-colonialism and law among others. Enriched by contributions from well-known South Asian feminist scholars, this book discusses themes such as democracy and dissent, citizenship and violence and how the female body has historically been used in these discussions as a shield and a weapon. It also focuses on technology and misogyny, the politics of veiling and unveiling, the body of the Muslim women in contemporary India as well a...
Sexuality and gender have come to serve as measures for cultural belonging in discussions of the position of Muslim immigrants in multicultural Western societies. While the acceptance of assumed local norms such as sexual liberty and gender equality are seen as successful integration, rejecting them is regarded as a sign of failed citizenship. Focusing on premarital sex, homosexuality, and cohabitation outside marriage, this book provides an ethnographic account of sexuality among the Iranian Dutch. It argues that by embracing, rejecting, and questioning modernity in stories about sexuality, the Iranian Dutch actively engage in processes of self-fashioning.
This book examines narratives of individual religious transformation in Western European literature and culture. Religious individuals, themes, experiences and communities are widely represented in diverse literature and culture, including literary texts and visual arts and media. Taking the subject of religious transformation as an angle from which to study constructions of religion, gender and race, this book reveals through various case studies what authors, documentary makers, film makers and playwrights consider to be important (possible) shifts between the old and the new, continuities and discontinuities, and the formation of the self. The chapters demonstrate how individual religious transformations are understood to be shaped by various intersections of difference, and point at the need to consider gender as always related to and co-constructing religion and race. This transdisciplinary and intimate study provides a fresh lens through which to examine pressing questions regarding the place and future of religion, gender and race in contemporary Western Europe.
In many societies all over the world, an increasing polarization between contrasting groups can be observed. Polarization arises when a fear born of difference turns into ‘us-versus-them’ thinking and rules out any form of compromise. This volume addresses polarizations within societies as well as within churches, and asks the question: given these dynamics, what may be the calling of the church? The authors offer new approaches to polarizing debates on topics such as racism, social justice, sexuality and gender, euthanasia, and ecology and agriculture in various contexts. They engage in profound theological and ecclesiological reflection, in particular from the Reformed tradition. Contributors to this volume are: Najib George Awad, Henk van den Belt, Nadine Bowers Du Toit, Jaeseung Cha, David Daniels, David Fergusson, Jan Jorrit Hasselaar, Jozef Hehanussa, Allan Janssen, Klaas-Willem de Jong, Viktória Kóczián, Philipp Pattberg, Louise Prideaux, Emanuel Gerrit Singgih, Peter-Ben Smit, Thandi Soko-de Jong, Wim van Vlastuin, Jan Dirk Wassenaar, Elizabeth Welch, Annemarieke van der Woude, and Heleen Zorgdrager.
Doing Gender in Media, Art and Culture is an introductory text for students specialising in gender studies. The truly interdisciplinary and intergenerational approach bridges the gap between humanities and the social sciences, and it showcases the academic and social context in which gender studies has evolved. Complex contemporary phenomena such as globalisation, neo-liberalism and 'fundamentalism' are addressed that stir up new questions relevant to the study of culture. This vibrant and wide-ranging collection of essays is essential reading for anyone in need of an accessible but sophisticated guide to the very latest issues and concepts within gender studies. 'Doing Gender in Media, Art, and Culture' is an indispensable introduction to third wave feminism and contemporary gender studies. It is international in scope, multidisciplinary in method, and transmedial in coverage. It shows how far feminist theory has come since Simone de Beauvoir's Second Sex and marks out clearly how much still needs to be done.'........Hayden White, Professor of Historical Studies, Emeritus, University of California, and Professor of Comparative Literature, Stanford University, US
Focusing on complex entanglements of religion and gender from a diversity of perspectives, this book explores how women enact agencies in transcultural Hindu and Buddhist settings. The chapters draw on original, in-depth empirical research in various contexts in South Asian religious traditions. Today, in an increasing number of such contexts, women are able to undergo monastic and priestly education, receive ordination/initiation as nuns and priestesses, and are accepted as ascetic religious leaders. They are starting to establish new religious communities within conservative traditions, occupying religious leadership positions on par with men. This volume considers the historical background, contemporary trajectories, and potential impact of the emergence of these new and powerful female agencies in conservative South Asian religious traditions. It will be of particular interest to scholars of religion, women’s and gender studies, and South Asian studies.
The self-identifying Ghanaian-Dutch and Somali-Dutch communities residing in the Randstad area of the Netherlands are deeply impacted by religious beliefs and cultural factors in their approach towards sexual health practices, well-being and pleasure. This book shows how religious sensibilities shape the physical activities, beauty practices, and gendered roles that are adopted into the daily lives of these communities in pursuit of their sexual and general well-being. Through an ethnographic account, it explores and challenges the assumptions held around the complex relationship between religion and sexuality.