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Art Nouveau
First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful—until now.
The Oxford Critical and Cultural History of Modernist Magazines
This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.
Arts and Crafts Architecture
This book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region's most prominent architects, eleven men...
Charisma and Commitment in South Asian History
This collection includes an appreciation of Wolpert s life and writings, and three of his previously unpublished essays. In addition it considers such subjects as premodern cities in South Asia, the Bene Israel in the Konkan, propaganda and the Raj in World War II, and linguistic nationalism and regional identity in Orissa.
Edna Boies Hopkins
Edna Boies Hopkins (1872-1937) is best known for herfloral woodblock prints that range from delicate Japanese-inspiredstylizations to boldly colored and progressivelymodernist works. In her brief twenty-year career, Hopkins producedseventy-four known woodblock prints, including figurativework and landscapes as well as floral compositions. This catalogueraisonné is the first in-depth study of this once well-known Americanartist. It illustrates all of Hopkins's known prints, related drawings, andstudies. Born in Hudson, Michigan, Hopkins attended the Art Academy of Cincinnatifrom 1895 to 1898. In 1899 she took classes with the influential artist ArthurWesley Dow, an advocate of Japanese art. ...
Victorian Boston Today
This lavishly illustrated guidebook to the many distinctive attractions of Boston's Victorian heritage provides the walker and the armchair traveler alike with delightful and enlightening discoveries of the city's remarkable treasure trove of nineteenth-century landmarks and luminaries. Victorian Boston Today, edited by Mary Melvin Petronella for the New England Chapter of the Victorian Society of America, includes a beautifully drawn map for each tour, and contains such features as expanded descriptive captions for the profuse vintage illustrations, telephone numbers and web addresses for sites open to the public, directions between tour sites, information about public transportation, and a wealth of other practical enhancements and tips. From the South End's signature residential squares to the Black Heritage Trail to Jamaica Plain's pastoral landscape, these walking tours vividly recapture the spirit of Victorian Boston. The guidebook will fascinate Boston residents, tourists, and historians, and it will provide inspiration for the active preservation of the city's magnificent buildings and neighborhoods.
Denman Ross and American Design Theory
The life and thought of one of the founders of twentieth-century American design
The Craftsman and the Critic
This work explores the movement for design reform in turn-of-the-century Boston. When English craftsman, poet, and socialist William Morris advised consumers in the 1880s to 'have nothing in your houses that you do not know to be useful', he prompted a movement for design reform.
Georgia O’Keeffe, A Private Friendship, Part I
The time is 1887. From any window in Georgia O’Keeffe’s Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, “I want to be an artist.” Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia’s love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She...
The Indian Craze
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists...
