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Legacy
) This lively account of the unlikely union between an arts maverick and a city on the cusp of cultural evolution sheds new light on how great art finds a place to call home.
The Audacity of a Kiss
Shortlisted for Lesbian Memoir/Biography Lammy Award Rendered in bronze, covered in white lacquer, two women sit together on a park bench in Greenwich Village. One of the women touches the thigh of her partner as they gaze into each other’s eyes. The two women are part of George Segal’s iconic sculpture “Gay Liberation,” but these powerful symbols were modeled on real people: Leslie Cohen and her partner (now wife) Beth Suskin. In this evocative memoir, Cohen tells the story of a love that has lasted for over fifty years. Transporting the reader to the pivotal time when brave gay women and men carved out spaces where they could live and love freely, she recounts both her personal struggles and the accomplishments she achieved as part of New York’s gay and feminist communities. Foremost among these was her 1976 cofounding of the groundbreaking women’s nightclub Sahara, which played host to such luminaries as Betty Friedan, Gloria Steinem, Pat Benatar, Ntozake Shange, Rita Mae Brown, Adrienne Rich, Patti Smith, Bella Abzug, and Jane Fonda. The Audacity of a Kiss is a moving and inspiring tale of how love, art, and solidarity can overcome oppression.
Confessions of a Curator
In this witty and compelling defence of the art field itself, Joan Murray, one of the country's most outspoken art historians, discusses the great figures of Canadian art and the rise of our national are in institutions such as the Art Gallery of Ontario.
Studio
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The Memory of the Argentina Disappearances
This book is an examination of the history of the Nunca Más report issued by Argentina’s National Commission on the Disappearance of Persons established to investigate the disappearances perpetrated by state in the 1970s. Given the canonical nature of Nunca Más, it sheds light on Argentina’s social memory of its violent past.
Inside The Show Tango Argentino
During the dark years of the military dictatorship, Tango had fallen into oblivion all over the world, most especially in Argentina. The “Tango Argentino” show was the show that led to the worldwide revival of interest in Tango. It debuted in Paris, then conquered Broadway and, later, the whole world. Juan Carlos Copes, Miguel Ángel Zotto, and Milena Plebs, Gloria and Rodolfo Dinzel, Gloria and Eduardo, Virulazo, and Elvira are some of the artists who participated in this legendary show and are described in great detail in this book, now known as the definitive work on Tango Argentino. Every serious tanguero should know the history of the revival of Tango and this book is for them. Tang...
Renaissance to Rococo
"The museum's distinguished director in the 1930s and 1940s, Chick Austin, acquired notable works by Strozzi, Luca Giordano, Claude, and the first authentic Caravaggio in an American museum. Today the Atheneum can present an exhibition beginning with such renaissance masters as Piero di Cosimo and Sebastiano del Piombo, continuing with the finest examples of Baroque painting, and culminating in a blaze of rococo splendor with Tiepolo, Canaletto, Guardi, Melendez, Greuze, and Goya. This catalogue includes a history of the collection by Eric Zafran and entries on the individual paintings by distinguished scholars."--BOOK JACKET.
The Modern Woman Revisited
Between the two world wars, Paris served as the setting for unparalleled freedom for expatriate as well as native-born French women, who enjoyed unprecedented access to education and opportunities to participate in public, artistic and intellectual life. Many of these women--including Colette, Tamara de Lempicka, Sonia Delaunay, Djuna Barnes, Augusta Savage, and Lee Miller--made lasting contributions to art and literature.
The Independent Group
This study looks at the artists, designers and writers who formed the Independent Group in the early 1950s including such influential figures as Richard Hamilton, Eduardo Paolozzi, Nigel Henderson, William Turnball, Rayner Banham and Alison and Peter Smithson. As a group they aimed to raise the status of popular objects and icons within modern visual culture. The development of the Independent Group is mapped out against the changing nature of modernism during the Cold War era, as well as the impact of mass consumption on post-war British society. In this book, Massey examines the cultural context of the formation of the Group, covering the founding of the Institute of Contemporary Arts in London, the meanings of modernism, and the creation of a national identity. Key exhibitions such as "Parallel of Life and Art" and "This Is Tomorrow" are also examined.
