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"Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 "
In recent years, there has been increasing scholarly interest in the history of museums, academies and major exhibitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions (single artwork, solo artist, artist-mounted, entrepreneurial, privately funded, ephemeral, etc.) with the notable exception of those publications that deal with situations involving major artists or those who would become so - for example J.L. David?s exhibition of Intervention of the Sabine Women (1799) and The First Impressionist Exhibition of 1874 - despite the fact that these sorts of exhibitions and critical scholarship about them have become commonplace (and no less...
Museum Gypsotheca
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Monumental Controversies
In recent years the United States has witnessed major controversies surrounding past American presidents, monuments, and sites. Consider Mount Rushmore, which features the heads of the nation’s most revered presidents—George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt. Is Rushmore a proud national achievement or a symbol of the U.S. theft and desecration of the Lakota Sioux’s sacred land? Is it fair to denigrate George Washington for having owned slaves and Thomas Jefferson for having had a relationship with Sally Hemings, an enslaved woman, to the point of dismissing these men’s accomplishments? Should we retroactively hold Abraham Lincoln accountable for h...
Il valore del gesso come modello, calco, copia per la realizzazione della scultura
Un convegno durante il quale poter confrontarsi sulla pratica dell'uso del materiale semplicissimo del gesso per la produzione di opere d'arte è risultato un necessario appuntamento che il Museo Canova di Possagno ha voluto organizzare per assegnare, definitivamente, il valore che le sculture in gesso stanno acquisendo all'interno delle collezioni d'arte delle Accademie e dei Musei.
Orazio and Artemisia Gentileschi [published to Accompany the Exhibition Held at the Museo Del Palazzo Di Venezia, Rome, 15 October - 6 January 2002 ; the Metropolian Museum of Art, New York, 14 February - 12 May 2002 ; the Saint Louis Art Museum, 15 June - 15 September 2002
This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked.
Reviewing the Past
Though constantly in decay, ruins continue to fascinate the observer. Their still-standing survival is a loud affirmation of their presence, in which we can admire the struggle against the power of Nature aesthetically manifested during the decay. This volume takes a thematic approach to examining the aesthetics of ruins. It looks at the general aspects of architectural decay and its classical forms of admiration and then turns towards ruins from both classical and contemporary periods, from both Western and non-Western areas, and with examples from “high art” as well as popular culture. Combining the methodologies of art history, aesthetics and cultural history, this book opens up new ways of looking at the phenomenon of ruins.
Finding Lost Wax
This book recounts the revival of lost wax casting and Medardo Rosso’s creative serial casts, which transformed the traditional method into a modern, creative endeavour.
Antonio Canova 1757-1822
This book covers the life of the Italian neo-classical sculptor Antonio Canova (1757-1822), some of his works and the lives of two of his contemporaries: John Gibson RA (1790-1866), known as the ‘British Canova’, and the Danish sculptor Bertel Thorvaldsen (1770-1844). Both Gibson and Thorvaldsen lived and worked in Rome under the influence and in the shadow of Canova. All three sculptors helped and guided each other. Gibson was under considerable pressure to return to London, which he resisted, while Thorvaldsen returned to his homeland on several occasions and was greeted as a celebrity. The book aims to rectify the dearth of information in English on Canova and updates the information available on Gibson and Thorvaldsen in this bicentenary year of the death of Antonio Canova.
Like Life
Since before the myth of Pygmalion bringing a statue to life through desire, artists have used sculpture to explore the physical materiality of the body. This groundbreaking volume examines key sculptural works from thirteenth-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Three-dimensional renderings of the human figure are presented here in numerous manifestations, created by artists ranging from Donatello and Edgar Degas to Kiki Smith and Jeff Koons. Featuring works created in media both traditional and unexpected—such as glass, leather, and blood—Like Life presents sculpture by turns conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Texts by curators and cultural historians as well as contemporary artists complete this provocative exploration of realistic representations of the human body. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Playing with Fire
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
