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In a magical version of 1929 Seattle, a notorious thief attempts a delicate and dangerous job, while a widowed speakeasy owner seeks revenge for her murdered husband and tries to keep her shapeshifter brother safe.
Two women from vastly different lives struggle to save their worlds. Erin fights to stop an alien invasion force, while Aideen confronts boardroom skullduggery, murder attempts and family betrayal. Erin is an interdimensional traveler who carries a magical book her family has safeguarded for generations. She and copper-hunter Trevian must find and close the portal the invaders are using. How far has the invasion spread? Who can they trust? Aideen's father, Oswald, is the richest man in White Bluffs. His company harvests energy from fire elementals. Her brother Trevian fled their home two years ago, hunting for magical metals. Even though Oswald kept Trevian as his heir, Aideen taught herself the operations of the company. Now, with Oswald unconscious after a suspicious accident, Aideen is battling bandits and corporate raiders-and some of them are family. Copper Road picks up where the novella "Aluminum Leaves" left off, filled with magic books, bandits, mind-controlling parasites, boardroom betrayals, lesbian lovers, charms and chocolate.
“A fast start to what promises to be an exciting, innovative fantasy series” from the World Fantasy Award–winning author of Night’s Master (Publishers Weekly). In the hedonistic atmosphere of an eighteenth-century Venice Carnival, gaiety turns deadly when Furian Furiano happens upon a mask of Apollo floating in the murky waters of the canals. The mask hides a sinister art, and Furian finds himself trapped in a bizarre tangle of love, obsession, and evil, stumbling into a macabre society of murderers. The beautiful but elusive Eurydiche holds the key to these murders and leads him further into a labyrinth of black magic and ancient alchemy. Why do secrets from Furian’s past seem tied to the mysterious Eurydiche? In Tanith Lee’s brilliantly imagined world of violence and terror, Furian must find a way to survive and stem the obsession driving him toward his hidden destiny.
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Margarete stumbles out of the bombed-out house, the dust settling around her like snow. Mistaking her for the dead officer’s daughter, a guard rushes over to gently ask her if she is all right and whether there’s anything he can do to help her. She glances down at where the hated yellow star had once been, and with barely a pause, she replies “Yes”. Berlin, 1941: Margarete Rosenbaum is working as a housemaid for a senior Nazi officer when his house is bombed, leaving her the only survivor. But when she’s mistaken for his daughter in the aftermath of the blast, Margarete knows she can make a bid for freedom… Issued with temporary papers—and with the freedom of not being seen as ...
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The myth continues in the tenth year of the fabled Trojan War where two infamous gods of war go to battle. The spotlight is thrown on Ares, god of war, and primarily focuses on his battle with the clever and powerful Athena. As the battle culminates and the gods try to one-up each other to win, the human death toll mounts. Who will win this epic clash of power? And how many will have to die first? This title has Common Core connections.
In this magical fantasy adventure by the award-winning author of Jeremy Thatcher, Dragon Hatcher, a talking toad takes a girl on a wild ride. Jennifer Murdley has always wanted to be pretty. That’s why she’s so surprised to leave Mr. Elives’s magic shop with a particularly ugly toad. As her worst enemy says, “A toad for a toad.” But this toad can talk. And what it has to say sets Jennifer off on a journey that leads her into the company of the Immortal Vermin and straight to the Beauty Parlor of Doom . . . where she comes face-to-face with her deepest fears and dreams. Jennifer Murdley would give anything to be beautiful. But sometimes anything is too high a price to pay. “Endlessly funny . . . . A roller-coaster ride of a story, full of humor and even wisdom.” —Kirkus Reviews “Fast-moving with slapstick humor . . . . Recommended.” —Horn Book