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Hitler's Dancers
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
The Cambridge Companion to Ballet
A collection of essays by international writers on the evolution of ballet.
Negative Certainties
Now in paperback, Jean-Luc Marion's groundbreaking philosophy of human uncertainty. In Negative Certainties, renowned philosopher Jean-Luc Marion challenges some of the most fundamental assumptions we have developed about knowledge: that it is categorical, predicative, and positive. Following Descartes, Kant, and Heidegger, he looks toward our finitude and the limits of our reason. He asks an astonishingly simple—but profoundly provocative—question in order to open up an entirely new way of thinking about knowledge: Isn’t our uncertainty, our finitude, and rational limitations, one of the few things we can be certain about? Marion shows how the assumption of knowledge as positive deman...
Moving Bodies
Increasingly we have come to live in our heads, leaving our bodies behind. The consequences have been far-reaching, of which cognitive theory has warned us, advocating a 'return to the body.' This book employs several case studies-kings performing in ballets, sea captains dancing with natives, nationalists engaged in gymnastics exercises-to demonstrate what has been lost and what could be gained by a more embodied approach to living, to history. These curious movements were ways to be, to think, to know, to imagine, and to will. They highlight the limits of historical explanations focusing on cultural factors and question currently fashionable 'cultural' and 'post-modern' perspectives. Bodies, cognitive theory tells us, are the same regardless of historical context, and they engage in the same intentional activities. Returning to our bodies and their movements enables us not only to explain historical actions anew, but also to understand ourselves better.
The Constitution of Agency
Christine M. Korsgaard is one of today's leading moral philosophers: this volume collects ten influential papers by her on practical reason and moral psychology. Korsgaard draws on the work of important figures in the history of philosophy such as Plato, Aristotle, Kant, and Hume, showing how their ideas can inform the solution of contemporary and traditional philosophical problems, such as the foundations of morality and practical reason, the nature of agency, and the role of the emotions in action. In Part 1, The Principles of Practical Reason, Korsgaard defends the view that the principles of practical reason are constitutive principles of action. By governing our actions in accordance wi...
The Rupture
The sublime rests precariously on the edge of the abyss.' This volume is a collaboration between wordsmith Olivia Fane and painter John B. Harris. Fane's first essay is on the philosophical understanding of the sublime. The sublime first became a subject of serious philosophical thought in the eighteenth century, thanks to Edmund Burke and Immanuel Kant. Fane argues for an interpretation of the sublime as the radically other, and argues that its function is primarily epistemological, in that it reveals to us our own being and finitude. She goes on to show how this tallies with ideas of negative theology and post-modernism. In her second chapter,'A Short Essay on Truth', Fane suggests that so...
Rudolf Laban
This biography of the dancer, choreographer, and artist Rudolf Laban offers a biographical discussion presenting Laban as a pioneering figure of European expressionism and the founding father of modern dance, as well as an analysis of the significance of Laban as an important representative of expressionist Modernism.
Fellow Creatures
Presents a compelling new view of our moral relationships to the other animals
Subjectivity as Radical Hospitality
Intervervening in a lively debate in contemporary European philosophy, this book offers a radically revisioned account of the self subjected to experience. Patiently yet vigorously engaging Jean-Luc Marion's reading of selfhood in St Augustine, Martis reaches back deeply into the Western Philosophical tradition to propose a bold solution to the phemomenological problem of how a self can recognise an other, while remiaining itself. Insights from Descartes, Kant, Derrida, Blanchot, Romano and others are brought together to undergird an account of a self that remains itself only in ceaseless loss to necessary incursions of the other: "I Welcome therefore I am."
Evil, Fallenness, and Finitude
This collection addresses the perennial philosophical and theological issues of human finitude and the potentiality for evil. The contributors approach these issues from perspectives in Continental philosophy relating to phenomenology, philosophical hermeneutics, rabbinical traditions, drawing upon the work of Immanuel Kant, Søren Kierkegaard, and Paul Ricoeur. While centering on the traditional theme of theodicy, this volume is also oriented to the phenomenology of religion, with contributions across religions and intellectual traditions.
