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How architecture in Belgium, from its very beginnings, has epitomized modernity and singularity. Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In Something Completely Different, Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecolo...
Forty-five contemporary European architects were given the task to design a fictional building expansion in line with the principles of the existing building -- a relevant question in an era when architecture increasingly seems to occur without the context being taken into account. The result is a collection of dialogues between contemporary architects and the past. A new generation of European architects is looking for rooted values rather than indiscriminate forms. Architecture as evolution, rather than revolution. How can the views that underlie the historical city be interwoven with the stories of the present? This question is answered in 45 designs and four essays.
This issue of AD posits that this re-examination and redeployment of postmodernist approaches is the architectural attempt to reflect, grapple with and make sense of the current political and economic situation. The term ‘ad hoc’ is used to describe a resistance to stylistic conformity and predictability that embraces individuality, and which conceives architecture in a broader cultural space. As a mode of practice marked by stylistic divergence, the links, shared interest and continuities that exist among a range of architects are often overlooked. It will explore and provide a critical analysis of the design tactics and the strategies that inform them, and will investigate some key que...
Fashion Game Changers traces radical innovations in Western fashion design from the beginning of the 20th century to the present. Challenging the traditional silhouettes of their day, fashion designers such as Madeleine Vionnet and Cristóbal Balenciaga began to liberate the female body from the close-fitting hourglass forms which dominated European and American fashion, instead enveloping bodies in more autonomous garments which often took inspiration from beyond the West. As the century progressed, new generations of avant-garde designers from Rei Kawakubo to Martin Margiela further developed the ideas instigated by their predecessors to defy established notions of femininity in dress, creating space between body and garment. This way, a new relationship between body and dress emerged for the 21st century. With over 200 images and commentaries from an international range of leading fashion curators and historians, this beautifully illustrated book showcases some of the most revolutionary silhouettes and innovative designs of over 100 years of fashion.
Eighteenth-century Neapolitan staircases present a shift from the traditional, monumental Baroque palace stairs towards the staircase that is serving four, five or more levels of apartments of different social standing. While prefiguring stairs in modern apartment buildings, they solve issues of aristocratic etiquette as well as practical plan arrangements. They are showpiece and utility in one. At times grand and imposing, at times cramped in tapered courtyards, these staircases are numerous and disparate in form. This book documents seven of them, by Neapolitan architects such as Ferdinando Sanfelice. It is the outcome of a master seminar in Architectural History at the Department of Architecture and Urban Planning of Ghent University.
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Our contemporary service economy calls the divide between living and working, one of the dogmas of modernist urbanism, into question. People increasingly work from home, in dwellings that were never designed for this purpose. 0'DASH' and researcher-architect Frances Holliss take a closer look at the phenomenon of working from home and its impact on our domestic culture. How do you provide suitable home-work environments for an extremely varied group of people who work from their homes? At the level of the urban building block, 'DASH' explores what such architectural and urban developments may bring. In this context, how work is represented, how it is intertwined with living, accessibility and the area between street and front door are key design themes.
Drawing Ambience showcases a selection of drawings from the personal collection of the noted architectural educator Alvin Boyarsky (1928-1990). As chairman of the Architectural Association (AA) in London (1971-1990), Boyarsky accumulated an impressive collection of drawings at a time when the AA produced an extraordinary program of exhibitions and publications rooted in drawing not only as a representational medium but also a form of architecture in its own right. Boyarsky s drawing collection emerged at the confluence of modernism, postmodernism, and other cultural currents worldwide, capturing the work of artists and architects such as Alexander Brodsky and Ilya Utkin, Frank Gehry, Zaha Ha...
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