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For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discovery, secretary Peggy Olson became a take-no-prisoners businesswoman, object-of-the-gaze Joan Holloway developed a feminist consciousness, executive Roger Sterling tripped on LSD, and smarmy Pete Campbell became a surprisingly nice guy. Mad Men defined a pivotal moment for television, earning an enduring place in the medium’s history. This edited collection examines the enduringly popular television series as Mad Men still captivates audiences and scholars in its nuanced depiction of a complex decade. This is the first book to offer an analysis of Mad Men in its entirety, exploring the cyclical and episodic structure of the long form series and investigating issues of representation, power and social change. The collection establishes the show’s legacy in televisual terms, and brings it up to date through an examination of its cultural importance in the Trump era. Aimed at scholars and interested general readers, the book illustrates the ways in which Mad Men has become a cultural marker for reflecting upon contemporary television and politics.
This book studies the way chronic and long-term illnesses are represented in media, and the issues and structures associated with them. It also examines the way in which patients define themselves, the relationships they form with their carers and the experiences of these carers themselves. The way in which the figure of the caregiver can be portrayed as a necessary support for the patient is also discussed. Testimonies from digital platforms, fictional universes, examples from everyday life and from public and private organizations provide insight into the relationships between patients, caregivers and carers.
A captivating and analytical compendium to the hit show -and its creation, story, and impact on contemporary media and popular culture. This one-stop primer offers a succinct analysis of one of the most skillfully produced, artistically innovative, and culturally resonant scripted series in modern television. It opens by explaining how Mad Men (AMC, 2007–2015) functions as a representative example of much deeper and more profound structural changes happening in television since the 2000s. Gary R. Edgerton highlights influences driving the creation of the show, including creator Matthew Weiner’s personal connections to the subject matter and the development of the main character, Don Drap...
Unexceptional Politics develops a vocabulary of terms drawn from a wide range of media (political fiction, art, film, and TV serials), highlighting the scams, imbroglios, information trafficking, brinkmanship, and parliamentary procedures that obstruct and block progressive politics. The book proposes a new mode of dialectical resistance, countering notions of the "state of exception" embedded in theories of the "Political" from Thomas Hobbes to Carl Schmitt. Apter advances a critical model of micro-politics, or "politics with a small 'p,'" that offers a way of representing a politics that has generally eluded our conceptual grasp, and that has been unintelligible or resistant to classical political theory. Confronting us with the realization that we really do not know what politics is, where it begins and ends, or how its micro-events should be described, this experimental glossary opens the possibility of confronting the contingent and immaterial conditions of politicking that contribute to disturbance and interference within the institutional structures of our capitalo-parliamentarist systems of rule.
Fans who want to learn more about the show and scholars of television history will enjoy this entertaining and educational volume.
A collection of 15 articles from the March 2021 edition of La Civiltà Cattolica, the highly respected and oldest Catholic journal published from Rome. The March issue of English Civilta Cattolica is published as the world watches numerous COVID-19 vaccination campaigns being rolled out and there is naturally some concern about the different vaccines. Vaccines: Making responsible decisions by Carlo Casalone starts with a brief history of vaccination and then explains the strategic importance of vaccination in containing the coronavirus. Drew Christiansen continues his series on American politics with an examination of events from the storming of the Capitol on January 6th to the inauguration and the candidates for Biden’s cabinet. In the lead up to the pope’s visit to Iraq we published online three articles by our Middle East correspondent, Fr Giovanni Sale, on Christianity in the Middle East and Iraqi politics. Andreas Battlog followed up his recent profile of Karl Rahner with another on Johann Baptist Metz Auschwitz, the Contingent Trauma. And we also look at the role of religions in delivering the UN’s Agenda 2030 for Sustainable Development.
The impact of the Great War and its aftermath on Belgian artistic life World War I had a major effect on Belgian visual arts. German occupation, the horror at the battlefield and the experience of exile led to multiple narratives and artistic expressions by Belgian artists during and after the war. Belgian interbellum art is extremely vibrant and diverse. 14/18 – Rupture or Continuity takes a look at Belgian artistic life in the years around the First World War and how it was affected by this event. The Great War was a catalyst of artistic oppositions, leading on the one hand to a Belgian avant-garde that explored new forms and styles, while continuing to uphold a more traditional and established art on the other. Whereas the war experience consolidated an already present style for some artists, for others it constituted a revolution leading to new artistic adventures. The collection of essays in the present book highlights these contrasting facets of Belgian art in its rich historical context during the early 20th century.
Édition augmentée et mise à jour Postface de Micheline Dumont Amateur·rice·s de Civilization VI, de jeux de rôles «grandeur nature», de La trilogie berlinoise, du Trône de fer, de l’œuvre de Tolkien ou de Satrapi ; chroniques enflammant la médiasphère à propos de productions culturelles évoquant des évènements ou phénomènes advenus ou rémanents (Assassin’s Creed Unity, SLĀV et Kanata, Autant en emporte le vent); tribuns opposant des argumentaires irréconciliables quant à la décolonisation et la réconciliation, à ce qui doit être commémoré (ou déboulonné) ou à l’élimination de la brutalité policière et du racisme: chaque jour, de multiples discours et p...
This book establishes, and then analyses, the interrelation between series and dependence by focusing on two aspects of their connection: the overconsumption of TV series, and the production devices that lead to it. Due to its two-sided nature, the volume brings together specialists from different backgrounds. On the one hand, it involves people working with addiction, such as psychiatrists, psychologists, and social workers, whose analytical tools and statistics are extremely useful in assessing the prevalence of TV series addiction, as well as its consequences, in order to make sense of its mechanics. For similar reasons, the authors also include professionals working with children and tee...
TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier’s monthly columns published in the French journal Libération. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Libération, as well as longer pieces, to demonstrate ‘TV-Philosophy in action’: Laugier’s response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes—relating to politics, identity, and the stories we tell ourselves about our world—the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.