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Marjorie Phillips and Her Paintings
Marjorie Phillips painted almost every day of her life. The first painting that she sold was to a man who not only admired her paintings, but admired Marjorie herself so much that he very soon proposed marriage.
Duncan and Marjorie Phillips and America’s First Museum of Modern Art
He was born to privilege and sought the world of art. She lived at the center of that world—a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City’s Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentatio...
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Duncan and Marjorie Phillips and America's First Museum of Modern Art [Premium Color]
He was born to privilege and sought the world of art. She lived at the center of that world-a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City's Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation de...
Duncan and Marjorie Phillips and America's First Museum of Modern Art [B&W]
He was born to privilege and sought the world of art. She lived at the center of that world-a working artist encouraged by the famous artists in her extended family. Together, Duncan Phillips and Marjorie Acker Phillips founded The Phillips Collection in Washington, D.C., the first museum of modern art in America. It opened in the grand Phillips family home in 1921, eight years before New York City's Museum of Modern Art and only a few weeks after they wed. Duncan took the lead in developing the collection and showcasing it. Marjorie kept space and time to paint. Duncan considered Marjorie a partner in the museum even though she was not directly involved in all purchasing and presentation de...
The Evolving House Museum
This volume explores twelve house museums, created over more than two centuries, and founded across the globe. What motivates collectors to establish independent house museums instead of donating their collections to preexisting institutions? How have collectors’ original intentions manifested themselves in their museums? Have founder mandates aided the survival or caused the demise of their institutions? How have house museums’ collections or buildings evolved over time? Must museums reinterpret their collections to remain relevant to contemporary and diverse audiences? In seeking to answer these questions, the volume’s authors share the unique stories behind the creation and evolution of these fascinating institutions, and the intriguing stories of the exceptional individuals who founded them. Contributors: Aistė Bimbirytė, Eliza Butler, Chih-En Chen, Enrico Colle, Allegra Davis, Marissa Hershon, Mia Laufer, Ulrike Müller, Nadine Nour el Din, Inge Reist, Anne Nellis Richter, and Georgina S. Walker.
Notable American Women
This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.
Wild Exuberance
Early in his career, critics and collectors widely recognized that Harold Weston (1894-1972), was capturing and saying something unusual in his paintings. "There is a young American painter," wrote Duncan Phillips, "who stirs in me the hope for a re-birth on this new soil of something that was not lost to the art of painting with the passing of Vincent van Gogh." Along with 104 color and ten black-and-white plates of Weston's works, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. The biographical essay by the exhibition's guest curator Rebecca Foster follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen Bennett-Phillips, curator at the Phillips Collection, in an analysis of the painting. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides an introduction to the catalogue.
Dewey and Elvis
Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll--Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer. Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.
The Rise and Fall of American Art, 1940s–1980s
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ’peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on th...
