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Creative Justice
Creative Justice examines issues of inequality and injustice in the cultural industries and cultural workplace. It first aims to ‘do justice’ to the kinds of objects and texts produced by artists, musicians, designersand other kinds of symbol-makers – by appreciating them as meaningful goods with objective qualities. It also shows how cultural work itself has objective quality as a rewarding and socially-engaging practice, and not just a means to an economic end. But this book is also about injustice – made evident in the workings of arts education and cultural policy, and through the inequities and degradations of cultural work. In worlds where low pay and wage inequality are endemi...
The Politics of Cultural Work
Through a wide-ranging study of labour in the cultural industries, this book critically evaluates how various sociological traditions - including critical theory, governmentality and liberal-democratic approaches - have sought to theorize the creative cultural worker, in art, music, media and design-based occupations.
Class, Control, and Classical Music
Through an ethnographic study of young people playing and singing in classical music ensembles in the south of England, this text analyses why classical music in England is predominantly practiced by white middle-class people. It describes four 'articulations' or associations between the middle classes and classical music.
Theorizing Cultural Work
In recent years, cultural work has engaged the interest of scholars from a broad range of social science and humanities disciplines. The debate in this ‘turn to cultural work’ has largely been based around evaluating its advantages and disadvantages: its freedoms and its constraints, its informal but precarious nature, the inequalities within its global workforce, and the blurring of work–life boundaries leading to ‘self-exploitation’. While academic critics have persuasively challenged more optimistic accounts of ‘converged’ worlds of creative production, the critical debate on cultural work has itself leant heavily towards suggesting a profoundly new confluence of forces and ...
Clio Awards
Rockport Publishers is pleased to work in collaboration with the Clio Awards -- who grant the "Oscars" of the advertising industry -- to publish the 42nd annual Clio Awards. The Clio Awards has been recognizing the best advertising design worldwide for 42 years. A jury of top advertising and design industry professionals culls the more than 18,000 entries, and awards the top one percent with gold, silver, and bronze citations. A handful of work is also recognized for honorable merit. Each winner is presented in these pages, in full-color with detailed design credits, making this book the ultimate resource and reference for the design and advertising industry. This book also provides an inspirational collection of top work for students of advertising and design and for seasoned professionals in the design community. Book jacket.
Banking on the State
Germany's Sparkassen are publicly held savings banks. No other advanced industrial economy relies as heavily on such small, publicly-owned financial institutions to fuel its economy. Mark Cassell explores the unique entity that is the German public banking system and the lessons it offers to banking systems worldwide.
Banks on the Brink
International capital flow and domestic financial market structures explain why some countries are more vulnerable to banking crises.
Cultural Industries and the Environmental Crisis
This volume critiques the current model of the creative economy, and considers alternative models that may point to greener, cleaner, more sustainable and socially just cultural and creative industries. Aimed at the nexus of cultural and environmental concerns, the book assesses the ways in which arts and cultural activities can help develop ideas of the ‘good life’ beyond excessive and unsustainable material consumption, and explores the complex interactions between cultural prosperity, place and the quality (and availability) of employment, leisure and the rights to self-expression. Adopting a deliberately wide and inclusive interdisciplinary and international perspective, contributors...
“But I Digress ...”
Gathered together for the first time, a selection from the columns and occasional writings of Darrel Bristow-Bovey. For the better part of this century and the worst part of the last, Darrel Bristow-Bovey has been making enemies, allies and occasional friends with his newspaper and magazine columns. In that time he has received two death threats, five offers to sue, four national awards and a marriage proposal. Over a range of subjects, from television to sport to the difficulty of finding love in the modern world, never saying less than he thinks, never more than he feels, Darrel’s is an unmistakable and indispensable voice in the South African media. All the old favourites are in these pages: Jamie Oliver, Felicia, Wayne Ferreira, the lost art of conversation, Simunye presenters, Christmas stories, lesbians, and the infamous “The Day I Bought My Fridge”. Plus, as a special bonus, for the first time: The origin of Porky Withers and the true location of the Chalk ’n Cue.
