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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
In early 20th-century Yemen, a sizable Jewish population was subject to sumptuary laws and social restrictions. Jews regularly came into contact with Islamic courts and Muslim jurists, by choice and by necessity, became embroiled in the most intimate details of their Jewish neighbors’ lives. Mark S. Wagner draws on autobiographical writings to study the careers of three Jewish intermediaries who used their knowledge of Islamic law to manipulate the shari‘a for their own benefit and for the good of their community. The result is a fresh perspective on the place of religious minorities in Muslim societies.
A history of the organization, as well as member roster, chapters in the IAATI, and many photos!
In recent years, a growing interest in “oriental manuscripts” in all their aspects, including the extrinsic ones, has been observed. Research that focuses on holograph, autograph and authorial manuscripts in Arabic handwritten script has nevertheless been casual, although these manuscripts raise important and varied questions. The study of the working methods of authors from the past informs different disciplines: paleography, codicology, textual criticism, ecdotics, linguistics and intellectual history. In this volume nine contributions and case studies are gathered that address theoretical issues and convey different, disruptive perspectives. A particularly important subject of this bo...
The fifth volume of the Posen Library demonstrates through a rich array of texts and images the extraordinary diversity of Jewish life during the early modern period "A rich and varied gateway into the primary source material of early modern Jewish history that is very strong on geographical diversity. A magnificent achievement."--Adam Sutcliffe, King's College London The Posen Library of Jewish Culture and Civilization, Volume 5, covering the early modern period (1500-1750), presents a variety of Jewish texts to demonstrate the diversity of Jewish culture and life. These texts originate from Eastern and Western Europe, the Americas, the Ottoman Empire, North Africa, Kurdistan, Persia, Yemen...
In Islam: A Short Guide to the Faith, editors Roger Allen and Shawkat M. Toorawa have assembled fifteen chapters by fifteen noted scholars, each of which provides a lucid description and exploration of an aspect of Islam, its institutions, doctrines, and interactions, notably with Christianity, Judaism, and the modern world. The chapters are preceded by a foreword by a renowned scholar, sixteen full-color images, and a user-friendly bibliography for further viewing and reading. This concise yet thorough introduction to Islam is ideal for the general reader interested in learning more about Islam, and for use as an introductory text in high school and college classes.
Doing Justice to a Wronged Literature, a Festschrift for the Arabist and Islamicist Thomas Bauer, includes 17 essays by established academics on various themes and aspects of Arabic literature and rhetoric of the Ayyubid, Mamluk and Ottoman periods (12th-18th centuries).
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Every year, millions of students pay enormous sums to pursue a college education. Most have no idea how easily a single false cheating accusation can derail their dreams. Shocked, shamed, and silenced, they watch their futures crumble in the university kangaroo courts of "academic integrity." Catherine Wagner was an enthusiastic, top-performing student when she unwittingly walked into a trap. She provided authorized aid to a classmate on one part of one homework question, as her professors specifically encouraged. A grader later flagged their answers as "similar," and both students were accused of cheating. Innocent, and certain that she would be exonerated, Catherine had no idea that one pr...
This book is both a telling of operatic histories 'after' Richard Wagner, and a philosophical reflection upon the writing of those histories. Historical musicology reckons with intellectual and cultural history, and vice versa. The 'after' of the title denotes chronology, but also harmony and antagonism within a Wagnerian tradition. Parsifal, in which Wagner attempted to go beyond his achievement in the Ring, to write 'after' himself, is followed by two apparent antipodes: the strenuously modernist Arnold Schoenberg and the stheticist Richard Strauss. Discussion of Strauss's Capriccio, partly in the light of Schoenberg's Moses und Aron, reveals a more 'political' work than either first acqua...