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From the late 1940's through the early 1970's, local TV stations created a golden age of children's television. These programs were rich in imagination, inventiveness, and devoted fans. This book tells the back stories and details of the special Chicago children's programming created during this period.
By the last 1950s, studios saw television as a convenient dumping ground for thousands of films that had been gathering dust in their vaults. Distributors grouped them by genre-- and Chicago's tradition of TV horror movie shows was born. From giant grasshoppers to Dracula epics, Okuda and Yurkiw take a comprehensive look at these programs, with career profiles of the "horror hosts," a look at the politics behind the shows, and broadcast histories, as well as guides to many of the films themselves.
From December 1957 through October 1959, Chicago TV viewers were held in thrall by "Marvin," the ghoulishly hilarious host of WBKB-TV's late-night horror film series Shock Theatre. Marvin and his lady friend "Dear" (her face ever hidden from the camera) introduced thousands of Chicagoland youngsters to such classic Universal chillers as Frankenstein, Dracula and The Wolf Man. This history of Shock Theatre focuses on the series and its creator, Marvin himself--in real life, the multi-talented Terry Bennett, whose wife Joy played "Dear." Terry's son Kerry Bennett provides an affectionate foreword, while celebrated horror host Count Gore De Vol (Dick Dyszel) supplies the afterword. Included are dozens of photos and vintage advertisement reproductions, as well as two appendices featuring a resume of Terry Bennett's career and a list of films telecast during his two-year Shock Theatre run.
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "dream dragons" analogy, made comebacks in American cinema. The blockbuster Kaiju resurged onto the screen, depicting these protectors of an Earth plagued by mankind's hubris and folly. With Earth's future hanging in the balance, their climactic 2021 staging settled a score between the two giant monsters, resolving Toho's classic 1963 film King Kong vs. Godzilla. As formidable creatures emerging from Time's Tomb on Mother Earth, metaphorical Kong and Godzilla are considered here in light of new millennial environmentalism's stark reality. This book, nostalgic in tone, explores the meaning of Kong and Godzilla as planetary saviors--titanic protectors of a theoretical "living Earth" Gaia--defending the globe from a prehistoric plague of adversaries.
From Vampira to Elvira, Mistress of the Dark, female horror movie hosts have long been a staple of late-night television. Broadcast on local stations and cable access channels, characters such as Moona Lisa, Stella, Crematia Mortem and Tarantula Ghoul brought an entertaining blend of macabre camp and after-prime-time sexuality to American living rooms in the 1950s through 1990s. Despite a near total lack of local programming today, the tradition continues on the Internet and Roku and other modern media. Featuring exclusive interviews and rare photographs, this book covers dozens of "dream ghouls" with alphabetical entries, from Aunt Gertie to Veronique Von Venom.
The 1970s: Vietnam, Watergate, inflation, and social unrest. Those were the days! On January 12, 1971, a new television series premiered that would address such topics in a comical and satirical manner. The series would sit at the top of the ratings for the majority of its run, redefining the structure of situation comedy, and would go on to be one of the most influential sitcoms in television history. All in the Family dominated the airwaves in the 1970s and reflected an ever-changing society during one of America’s most challenging decades. David Maska assesses the entire series, season by season, and how it continued to evolve and fit into television’s landscape from its inception in the late 1960s as a pilot that nobody wanted to touch, through its celebrated run as the number one show in America, and finally its demise as Archie Bunker’s Place in the early 1980s. With an annotated episode guide for all 13 total seasons (over 300 episodes!), this is a book you can keep next to you for reference while you watch and enjoy this classic series.
While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror's geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.
Role-playing games seemed to appear of nowhere in the early 1970s and have been a quiet but steady presence in American culture ever since. This new look at the hobby searches for the historical origins of role-playing games deep in the imaginative worlds of Western culture. It looks at the earliest fantasy stories from the nineteenth and twentieth centuries, at the fans--both readers and writers--who wanted to bring them to life, at the Midwestern landscape and the middle-class households that were the hobby's birthplace, and at the struggle to find meaning and identity amidst cultural conflicts that drove many people into these communities of play. This book also addresses race, religion, gender, fandom, and the place these games have within American capitalism. All the paths of this journey are connected by the very quality that has made fantasy role-playing so powerful: it binds the limitless imagination into a "strict" framework of rules. Far from being an accidental offshoot of marginalized fan communities, role-playing games' ability to hold contradictions in dynamic, creative tension made them a necessary and central product of the twentieth century.