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A highly-praised translation of a seminal work of Spanish literature is once again available.
Stories by Stieg Larsson, Henning Mankell, and over a dozen other masters of Nordic noir: “A wonderful collection” (Camilla Lӓckberg). Ever since Stieg Larsson shone a light on Swedish crime writing with his Girl With the Dragon Tattoo trilogy, readers around the world have devoured fiction by Scandinavian masters of suspense. A Darker Shade of Sweden includes an assortment of outstanding crime fiction—never before published in English and in some cases brand-new to this volume—from Larsson and a wide range of other talents including Henning Mankell, the creator of Kurt Wallander; Åsa Larsson; Eva Gabrielsson; Inger Frimansson; Åke Edwardson; Sara Stridsberg; Maj Sjöwall and Per Wahlöö; and more. Also included is an introduction by Edgar nominee John-Henri Holmberg, exploring the history of these stellar authors and their contributions to crime writing. “Gripping. . . . These unsettlingly dark tales reaffirm the dominance of Swedish writers with original crime fiction.” —The Sun (UK)
This is the third edition of a book conceived and collated by Ken Cato to present favourite works of some of the world's leading graphic designers. Knowing how difficult it was to choose his own favourite pieces, Cato has again set an almost impossible t
“S O S provides readers with rich, vital views of the African American experience and of Baraka’s own evolution as a poet-activist” (The Washington Post). Fusing the personal and the political in high-voltage verse, Amiri Baraka whose long illumination of the black experience in America was called incandescent in some quarters and incendiary in others was one of the preeminent literary innovators of the past century (The New York Times). Selected by Paul Vangelisti, this volume comprises the fullest spectrum of Baraka’s rousing, revolutionary poems, from his first collection to previously unpublished pieces composed during his final years. Throughout Baraka’s career as a prolific w...
Provides detailed information on more than 20,000 U.S. and Canadian publishers, including nearly 1,000 distributors, wholesalers and jobbers, as well as small independent presses. The latest edition adds approximately 500 new entries with increased Canadian listings and Web site and e-mail addresses.
The English Literatures of America redefines colonial American literatures, sweeping from Newfoundland and Nova Scotia to the West Indies and Guiana. The book begins with the first colonization of the Americas and stretches beyond the Revolution to the early national period. Many texts are collected here for the first time; others are recognized masterpieces of the canon--both British and American--that can now be read in their Atlantic context. By emphasizing the culture of empire and by representing a transatlantic dialogue, The English Literatures of America allows a new way to understand colonial literature both in the United States and abroad.
A powerfully written memoir by a black woman artist in search of meaning and "grace" in her family, work, and spiritual lives.
“[Perloff] has brilliantly adapted Wittgenstein’s conception of meaning and use to an analysis of contemporary language poetry.” —Linda Voris, Boston Review Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein’s remark that “philosophy ought really to be written only as a form of poetry,” Perloff begins by discussing Wittgenstein the “poet.” What we learn is that the poetics of everyday life is anything but banal. “This book has the lucidity and the intelligence we have come...
Inez Milholland was the most glamorous suffragist of the 1910s and a fearless crusader for women's rights. Moving in radical circles, she agitated for social change in the prewar years, and she epitomized the independent New Woman of the time. Her death at age 30 while stumping for suffrage in California in 1916 made her the sole martyr of the American suffrage movement. Her death helped inspire two years of militant protests by the National Woman's Party, including the picketing of the White House, which led in 1920 to ratification of the 19th Amendment granting women the right to vote. Lumsden's study of this colorful and influential figure restores to history an important link between the homebound women of the 19th century and the iconoclastic feminists of the 1970s.
Mirroring, doubling, imitation, parody, intertextuality. The contributors to this volume — all postgraduate researchers at the time of writing — engage with some of these familiar words to produce articles that deal with the concept of “reflections” in literary and visual culture. Ranging from Italian Golden Age theatre to contemporary French literature and from Cuban film to German fiction, the twelve essays in this volume provide a fresh look at Modern Language Studies, highlighting in particular, the interdisciplinary nature of this field. On one level, the volume speaks to those exploring Modern Language Studies for the first time, for example, undergraduate students, who seek a greater understanding of the dialogue between language and culture. However, the individual essays also have the potential to attract experienced scholars either looking for new knowledge on specialist subjects, or ways of approaching research in Modern Languages. Through its central theme, Reflections: New Perspectives in Modern Languages and Cultures makes some suggestions about the way forward for Modern Language Studies.