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Suspended Conversations
"In Suspended Conversations Martha Langford breathes life into photographic albums. These travelogues, memoirs, thematic collections, and family sagas embody the intimate preoccupations of their compilers and the great events of a golden photographic age, 1860 to 1960. Langford also traces the influence of photograph albums on the installations, photo narratives, and photo sequences of contemporary artists. Whether dealing with art, museum archives, or the family heirloom, Suspended Conversations bring photography into the great conversation about how we remember our stories and send them into the future."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Suspended Conversations
In Suspended Conversations Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Rather than isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she demonstrates that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Exhibiting a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History, this second edition includes a revised and expanded preface along with new photographs of the Notman al...
Image & Imagination
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Scissors, Paper, Stone
Finalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
A Cold War Tourist and His Camera
In 1963, Warren Langford, a Second World War air force veteran and career public servant, travelled through Europe, North America, and Africa as part of the National Defence College's curriculum of Cold War training. During this time he bought a camera and produced some 200 slides of his travels. InA Cold War Tourist and His Camerahis art historian daughter and political scientist son bring his photographs - an unexpected combination of iconic images of Cold War dangers and touristic snapshots - back into view. Martha Langford and John Langford examine their fat photographic experience, revealing the complexity of both the images and their creator.A Cold War Tourist and His Camerastages the family slide show as you've never seen it before.
Narratives Unfolding
In a global art world, how fares the nation?
Photogenic Montreal
The agency of photographs is a recurrent concern within the context of the city. Whether found in architectural records, social documentary, photojournalism, or artistic practice, photographic objects are embedded in urban contestation, aesthetically charged by artists, reinserted into social histories, and mobilized to imagine a future city. Photogenic Montreal takes a question initially posed by heritage debates – what does photography preserve? – and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. Photographs that appear to be sealed off in newspapers, ...
The Langford Legacy
James Langford (ca. 1700-1777) was born in Maryland and moved to Johnston County, North Carolina. Ancestors and descendants also spelled the surname Langfitt and Lankford. Descendants lived in North Carolina, Georgia, Alabama, Mississippi, Texas and elsewhere.
Locating Memory
Paying close attention to the setting in which photographs are made and used, the contributors consider how meanings in photographs, from historical inquiry to quests for identity, may be shifted, challenged and renewed over time and for different purposes.
