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These provocative essays explore the unwritten, often unacknowledged codes, conventions, and ideologies overseeing the evolution and current practice of English as a "discipline." The first section of the book offers historical perspectives: how "composition" became distinguished from "literature," how key intellectuals shaped the discipline, and how various specialties—Renaissance literature, American literature, "theory"—became subfields. The second section focuses on how certain aesthetic categories of art and universal experience persist today in the actual teaching and writing of "English." While it is fashionable to say that we are living in the age of poststructuralism, or that li...
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
Where William Faulkner's fiction stands in relation to that of Ellison, Pynchon, Nabokov, and other postmodern greats
William Faulkner occupied a unique position as a modern writer. Although famous for his modernist novels and their notorious difficulty, he also wrote extensively for the "culture industry," and the works he produced for it—including short stories, adaptations, and screenplays—bore many of the hallmarks of consumer art. His experiences as a Hollywood screenwriter influenced him in a number of ways, many of them negative, while the films turned out by the "dream factories" in which he labored sporadically inspired both his interest and his contempt. Faulkner also disparaged the popular magazines—though he frequently sold short stories to them. To what extent was Faulkner's deeply ambiva...
Narratives of Risk: Interdisciplinary Studies is the result of an international project involving authors from institutions of higher education in Denmark, Greece, Malta and Norway. Twenty-one contributions, partly in German and partly in English, discuss stories of risk circulating within different fields of research: linguistics, translation studies, comparative literature, rhetoric, education, theology, psychology, sociology and political science. The concept of risk is multi-faceted. As these articles illustrate, stories can be about risk, but they can also be risky in themselves. For example, a technical manual can help people avoid dangerous situations; however, a faulty translation ca...
This volume was first published by Inter-Disciplinary Press in 2013. A Critical Approach to the Apocalypse offers the reader an in-depth view of the portrayal of apocalyptic and post-apocalyptic scenarios in literature, film and television, art, digital art, history, anthropology, religion and climate change studies.
Delving deep into the intricate narrative styles of William Faulkner's most celebrated works, this captivating study immerses readers in the renowned author's rich and masterful storytelling techniques. By incorporating the rigorous theoretical frameworks of Mikhail Bakhtin's polyphony and dialogism and Tzvetan Todorov's insights, the study unveils Faulkner's unparalleled ability to craft a myriad of unique, autonomous characters and narrative voices. Emphasizing Faulkner's innovative narrative prowess, including his adept use of multiple perspectives, narrative levels, and stylistic choices, this exploration offers readers an exhilarating glimpse into the profound and complex world of Faulkner's literary works. Get ready to embark on an enthralling journey through the captivating storytelling universe of one of literature's greatest visionaries!
From 1929 to the latest issue, American Literature has been the foremost journal expressing the findings of those who study our national literature. The journal has published the best work of literary historians, critics, and bibliographers, ranging from the founders of the discipline to the best current critics and researchers. The longevity of this excellence lends a special distinction to the articles in American Literature. Presented in order of their first appearance, the articles in each volume constitute a revealing record of developing insights and important shifts of critical emphasis. Each article has opened a fresh line of inquiry, established a fresh perspective on a familiar topic, or settled a question that engaged the interest of experts.
This comprehensive overview of William Faulkner's short fiction is a systematic study of this body of work, which Faulkner produced over a period of forty years. The author examines Faulkner's struggle to master the special problems posed by the genre. The book is organized topically. A chronological survey of Faulkner's career as a writer of short fiction is followed by chapters devoted to aspects of Faulkner's craft: thematic patterns, points of view, and other technical and formal patterns. The author offers a frank assessment of Faulkner's failures and successes as a writer of short fiction.
This collection focuses on a variety of fictional and non-fictional East European women's migration narratives, multimodal narratives by migrant artists, and cyber narratives (blogs and personal stories posted on forums). The book negotiates the concept of narrative between conventional literary forms, digital discourses, and the social sciences. It brings together new perspectives on strategies of representation, trauma, dislocation, and gender roles. It also claims a place for Eastern Europe on the map of transnational feminism. (Series: Contributions to Transnational Feminism - Vol. 4) [Subject: Sociology, European Studies, Women's Studies, Feminist Studies, Gender Studies, Migration Studies]