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Sure to be the subject of much discussion, this book takes a look at the post Vatican II approach to liturgy through the eyes of a man who says the Church has lost much and gained nothing through the promulgation of the "Novus Ordo" Mass. An accomplished novelist and writer, German author Martin Mosebach gives a plea for a return to the preconciliar Latin Rite, giving a persuasive and compelling argument against what he sees as a jarring break in tradition. Yet there is another way to approach the Liturgy. In his foreword, Fr. Joseph Fessio, S.J., points out the difference between Mosebach's approach and "those who, like myself, the Adoremus Society, and--I think I can assert this with confidence--Pope Benedict XVI, advocate a rereading and restructuring of the liturgical renewal intended by the Second Vatican Council, but in light of the Church's two-thousand-year tradition."
"Originally published under the title Die 21: Eine Reise ins Land der Koptischen Martyrer. Copyright à 2018 by Rowohlt Verlag GmbH, Reinbek bei Hamburg, Germany. English translation copyright à 2018 by Alta L. Price. The translation of this work was supported by a grant from the Goethe-Institut."
A young couple is enjoying a moment of carefree intimacy. But then the young woman asks her lover, What was your life like before you met me?
First published in 2003, The Heresy of Formlessness is already a modern classic, unique for its melding of poetic shimmer and keen observation. Martin Mosebach offers up a compelling defense of the traditional Roman Rite and a searing critique of the postconciliar liturgical reform through which ancient rites were profaned by tone-deaf modernizers.
An anthology of 70 essays and articles by prelates and pastors, theologians and canonists, philosophers and cultural figures-including: Cardinal Walter Brandmüller • Cardinal Raymond Leo Burke • Cardinal Gerhard Müller • Cardinal Robert Sarah • Cardinal Joseph Zen • Archbishop Thomas Gullickson • Archbishop Carlo Maria Viganò • Bishop Rob Mutsaerts • Bishop Athanasius Schneider • Msgr. Charles Pope • Dom Alcuin Reid • Abbé Claude Barthe • Fr. John Hunwicke • Michael Brendan Dougherty • Ross Douthat • Edward Feser • Michael Fiedrowicz • Peter A. Kwasniewski • Phil Lawler • Martin Mosebach • George Neumayr • Joseph Shaw • and many others Already ...
Comprises stills and screenplay from the film Buster's bedroom.
Essays by Doris von Drahten, Boris Groys, Rebecca Horn, Bernd Kauffmann, and Martin Mosebach. In 1999, acclaimed German multimedia artist Rebecca Horn created "Concert for Buchenwald", a large-scale, two-part installation in Weimar, Germany commemorating the horrors of genocide and emigration. This darkly intense work evokes both the shoah and the mass murders in former Yugoslavia. The first part of the installation is set in an abandoned train depot. Its walls are lined with glass panes behind whose shiny surfaces you can make out layer upon layer of ashes. Running alongside one of the wells, railroad tracks are blocked up by densely entangled heaps of various stringed instruments, reminiscent of the piles of corpses that were discovered in Buchenwald. The second part is installed in Schloss Ettersburg, an 18th century palatial residence. Here, the humming sound of panicked bees is audible from hives suspended from the ceiling of an opulent ballroom suggesting memories of expulsion and escape. The book's essays explore various aspects and interpretations of Horn's installation; the artist's own notes trace the origins of the installation's prominent metaphors.
A comprehensive survey of German literary writers' political writing and involvement since 1945.
In these essays, award-winning German novelist Martin Mosebach bears witness to the perennially "subversive" nature of full-blooded Catholicism. Despite the sins and escapades of her members, the Church still makes present in our midst an "incessant repetition of the Incarnation." This book opens our eyes and ears to this ongoing miracle.
Navid Kermani is one of the outstanding public intellectuals of his generation. Not one for drawing hard and fast conclusions, his style of thought is probing, observant, often straying from well-trodden paths and always peering beyond the present moment to trace connections and grasp the bigger picture. Well known for his prize-winning novels and major works of non-fiction, Kermani has also gained widespread acclaim as a journalist, displaying a rare political sensitivity which manages to illuminate what politicians fail to see and to seek out solutions where all appears hopeless. This volume brings together his brilliantly perceptive writing from the last thirty years, on topics ranging from terror in the Middle East to Russia’s invasion of Ukraine. As a record of Kermani’s uniquely compassionate curiosity, this absorbing book is a welcome antidote to the confusion and despair that stalks global politics today.