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Painting the Text
In this masterly work, Martin O'Kane shows artists at work as readers of the Bible and not simply as illustrators of biblical scenes. The painter's eye commonly sees nuances and subtleties of plot and characterization in the biblical text that traditional biblical criticism has overlooked. Focussing in fine detail on some well-known biblical themes-the deception of Isaac, the depiction of Isaiah's suffering servant, the visit of the Magi and the flight into Egypt, among others-O'Kane argues that modern readers need the artist's exegetical insight and engagement to appreciate the text fully. Ranging widely over mediaeval, Renaissance and modern art, the author situates his work within the hermeneutical aesthetics of Hans-Georg Gadamer, Mieke Bal and Paolo Berdini. Some 30 images are reproduced in the text.
Imaging the Bible
Imaging the Bible examines how 'reading' the Bible visually can help us appreciate the intricacies of the biblical narrative and shows how the stories of the Bible have been interpreted visually within specific traditions. The Bible is seen as not merely a book of doctrine but as the main source of inspiration of the arts in Western Europe. The book introduces the reader to the broad and inclusive range of ways that the Bible has been interpreted in the arts - from the earliest Christian art through the medieval period and the Renaissance and up to the twentieth century. Written for non-specialists and assuming no previous knowledge of art history, this is an ideal introduction to Biblical art for students and for the general reader. The contributors are: Andreas Andreopoulos (Lampeter); Clyde Binfield (Sheffiled); Sarah Boss (Lampeter); Laura Carnavale (Bari, Italy); Nicholas Davey (Dundee); Peter French (Melbourne, Australia); John Harvey (Wales); Heidi Hornik (Baylor, Texas); and, John Morgan-Guy (Lampeter).
Bible, Art, Gallery
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
Understanding the Hebrew Bible
This is the latest in a series of volumes, published about every twenty-five years since 1924, surveying the current state of the academic study of the Old Testament--more often called the Hebrew Bible in scholarly contexts. It is written by leading members of the Society for Old Testament Study, the professional organization for scholars in that field in the UK and Ireland, but with international members too, some of whom have contributed to the volume. It provides academics, students of the Bible, clergy and rabbis, and intelligent general readers, with a snapshot of the main approaches and issues in the study of the Hebrew Bible since (approximately) the year 2000. There are chapters on s...
Word and Image
In Word and Image, Michael Patella explores the principles, intentions, and aims of The Saint John's Bible - the first handwritten and hand-illuminated Bible commissioned by a Benedictine abbey since the invention of the printing press. Patella focuses not on how it was made but on how it can be read, viewed, and interpreted in a way that respects biblical inspiration and Christian tradition in our postmodern context. It is a book that is sure to appeal to academics, pastors, teachers, and educated laypersons. Patella considers this Bible in the context of the great Christian tradition of illuminated Bibles across the ages and also the fascinating ways The Saint John's Bible reflects third-m...
Beyond the Biblical Horizon
Recent years have witnessed an upsurge of interest in relating the Bible to the worlds of literature and the visual arts. How is the Bible portrayed in the arts and how do the arts affect what we know, or think we know, about the Bible? In this provocative and wide-ranging collection, the eight contributors engage in a lively and fruitful conversation with the work of novelists, artists, filmmakers, and critics. Topics treated in this collection include the Bible and film, from Frank Capra movies of the 30s and 40s to such Hollywood epics as The Robe and The Ten Commandments; the Bible and literature, focusing particularly on the story of David and Bathsheba in recent fiction; and the Bible and painting, with specific studies of Rembrandt as painter and etcher and the twentieth-century German artist Lovis Corinth and more generalized discussion of paintings of King David throughout the centuries and the representation of the sexuality of Jesus in Renaissance art. Contributors include Joel Rosenberg, Erica Sheen, Martin O'Kane, Ilse Müllner, Johannes Taschner, Clive Marsh, J. Cheryl Exum, and David Jasper.
Considering Compassion
In light of the numerous challenges posed by globalization, living together as humanity on one planet needs to be reinvented in the twenty-first century. To create a new, peaceful, just, and sustainable world order is vital to the survival of us all. In this regard, humankind will have to expand the limited scope of its moral imagination beyond the borders of family, tribe, class, religion, nation, and culture. Will the cultivation of compassion, as scholars like Martha Nussbaum and Karen Armstrong, and religious leaders like the Dalai Lama maintain, contribute to a more just world? A global movement to cultivate and extend compassion beyond the immediate circle of concern may indeed find in...
God’s People on the Move
On the highways and byways of every continent, hundreds of millions of immigrants are constantly on the move. Because of growing inequalities of wealth caused by unregulated economic globalization, political and ethnic conflicts, environmental degradation, instant communication, and viable means of transportation, more and more people are migrating than ever before. Crossing international borders, whether compelled or voluntarily, is a major characteristic of our present epoch. No countries or regions are immune from this reality. Facing the growing scope, complexity and impact of the current worldwide phenomenon, God's People on the Move seeks to develop appropriate biblical and missiologic...
