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Kay Fisker
Kay Fisker (1893-1965) is considered one of the most influential Danish architects of the twentieth century, and yet there has existed until now no in-depth English-language study of his works and writing. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book examines Fisker's key projects – from his early railway stations and innovative housing projects to the Danish Academy in Rome – and analyses his work as a historian and writer. Fisker's output is closely associated with the functional tradition, a hybridization of international modernism and regional architectural typologies, and this book shows how his architectural poetics can be understood as an amalgamation of an ideal order with the contingent conditions of landscapes and urban sites. Hybridization is not only a valuable notion for understanding Fisker, the book argues, it can also be applied to an understanding of modernist architecture as a whole, with its various expressions, agendas and tensions both regionally and internationally.
What Images Do
When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence which cannot be identified with a concept, but should be examined in terms of actions. This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images-their actions-which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do addresses the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.
What Do Artists Know?
Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This third volume in the series, What Do Artists Know?, is about the education of artists. The MFA degree is notoriously poorly conceptualized, and now it is giving way to the PhD in art practice. Meanwhile, conversations on freshman courses in studio art continue to be bogged down by conflicting agendas. This book is about the theories that underwr...
Beauty and Monstrosity in Art and Culture
This edited volume takes a new look at an old question: what is the relationship between beauty and monstrosity? How has the notion of beauty transformed through the years and how does it coincide with monstrous ontologies? Contributors offer an interdisciplinary approach to how these two concepts are interlinked and emphasize the ways the beautiful and the monstrous pervade human experience. The two notions are explored through the axis of human transformation, focusing on body, identity, and gender, while questioning both how humans transform their body and space as well as how humans themselves are gradually transformed in different contexts. The pandemic, gender crisis, moral crisis, sociocultural instability, and environmental issues have redefined beauty and the relationship we have with it. Exploring these concepts through the lens of human transformation can yield valuable insights into what it means to be human in a world of constant change. The book will be of interest to scholars working in art history, archaeology, philosophy, architecture, and cultural studies.
The Power of Circumstance. Architecture and Creative Independence. Six Lectures by Per Olaf Fjeld
The lectures revolve around a number of simple but profound questions: ?Who am I? And from this, What makes me who I am? What creative abilities do I possess that enable me to spark creative energy into achieving long-term or lasting quality of work?? Per Olaf Fjeld considers these questions to be crucial for any young architect. For anyone to find an answer, you would need to examine the depth of architecture and develop a deeper understanding and an awareness of our humanity through architecture. As Fjeld states: ?In order to attain this, I think the individual creative act in each of us has to be sharpened, renewed and better understood.? This book set out to help us do exactly so.00The lectures were held at the Master?s Program Art and Architecture (KKA) at The Royal Danish Academy of Fine Arts? School of Architecture (KADK) in 2016 and are now published by the program in order to share the narratives and experiences of Fjeld with a broader audience of readers, just as he shared them with the architecture students.
The Artful Plan
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Contemporary Art About Architecture
An important resource for scholars of contemporary art and architecture, this volume considers contemporary art that takes architecture as its subject. Concentrated on works made since 1990, Contemporary Art About Architecture: A Strange Utility is the first to take up this topic in a sustained and explicit manner and the first to advance the idea that contemporary art functions as a form of architectural history, theory, and analysis. Over the course of fourteen essays by both emerging and established scholars, this volume examines a diverse group of artists in conjunction with the vernacular, canonical, and fantastical structures engaged by their work. I? Manglano-Ovalle, Matthew Barney, M...
Refractions - Artistic Reserach in Architecture
The book 'Refractions. Artistic Research In Architecture' focuses on new directions in architectural research, how architects develop new knowledge through their artistic design practice, working in a field between Art and Science. 0What new digital potentials are there in architectural media like models and drawings and how to put words on artistic research? The book offers theoretical articles, picture galleries of artistic projects, and interviews with senior-researchers at the Danish Academy of Architecture in Copenhagen and their built architectural projects.
Architectures of Dismantling and Restructuring
An architectural investigation of the Danish "good life" How have spatial changes affected the welfare experiences of citizens? What happens when long-standing institutions are restructured, dismantled or displaced elsewhere? How do emerging types of welfare space inform--or become informed by--shifting conceptions of the role the welfare system plays in our everyday lives? This volume seeks to address these pressing questions and more. Using Denmark as a case study, the book traces spatial transformations in the country's welfare system, from the end of the so-called golden age of the welfare state in the early 1970s to today. Architectures of Dismantling and Restructuringadopts a clear-eyed, nuanced perspective toward welfare and the "good life," investigating the consequences of Denmark's neoliberal turn and other significant sociopolitical changes. A rich analytical sequence of drawn visualizations supplements the book's textual and photographic descriptions.
