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Martin Luis Guzman was many things throughout his career in twentieth-century Mexico: a soldier in Pancho Villa's revolutionary army, a journalist-in-exile, one of the most esteemed novelists and scholars of the revolutionary era, and an elder statesman and politician. In The Man Who Wrote Pancho Villa, we see the famous author as he really was: a careful craftsman of his own image and legacy. His five-volume biography of Villa propelled him to the heights of Mexican cultural life, and thus began his true life's work. Nicholas Cifuentes-Goodbody shapes this study of Guzman through the lens of "life writing" and uncovers a tireless effort by Guzman to shape his public image. The Man Who Wrote Pancho Villa places Guzman's work in a biographical context, shedding light on the immediate motivations behind his writing in a given moment and the subsequent ways in which he rewrote or repackaged the material. Despite his efforts to establish a definitive reading of his life and literature, Guzman was unable to control that interpretation as audiences became less tolerant of the glaring omissions in his self-portrait.
A searing novel of the post-1910 Mexican revolutionary era that itself challenged the Mexican political establishment, Guzmán's The Shadow of the Strongman (La Sombra del Caudillo) stands beside Azuela's The Underdogs (Los de abajo) in the pantheon of Mexican fiction. Unmasking the years of political intrigue and assassination that followed the Revolution, the novel was adapted in the 1960 film La Sombra del Caudillo, which was banned in Mexico for thirty years.
“A frequently fascinating and probably fairly accurate insight into the most controversial character of the Mexican Revolution.” —Time Martín Luis Guzmán, eminent historian of Mexico, knew and traveled with Pancho Villa at various times during the Revolution. When many years later some of Villa’s private papers, records, and what was apparently the beginning of an autobiography came into Guzmán’s hands, he was ideally suited to blend all these into an authentic account of the Revolution as Pancho Villa saw it, and of the General’s life as known only to Villa himself. This is Villa’s story, his account of how it all began when as a peasant boy of sixteen he shot a rich landow...
Presents twenty Mexican stories from the early twentieth century, including tales of fantasy, life in Mexico, history, the city, and private life by such authors as Carlos Fuentes, Elena Garro, and Juan Rulfo.
Text and photographs present street sweepers, their parts, and their jobs.