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Dickens, Reynolds, and Mayhew on Wellington Street
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications...
Romanticism and Illustration
Explores a vital aspect of British Romanticism, the role of illustration in Romantic-era literary texts and visual culture.
The Long Blue Line
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Mary Underwater
Now in paperback, inspired by Joan of Arc, a girl builds a submarine and pilots it across the Chesapeake Bay to escape her abusive father in this gorgeous middle-grade debut Mary Murphy feels like she’s drowning. Her violent father is home from prison, and the social worker is suspicious of her new bruises. An aunt she’s never met keeps calling. And if she can’t get a good grade on her science project, she’ll fail her favorite class. But Mary doesn’t want to be a victim anymore. She has a plan: build a real submarine, like the model she’s been making with Kip Dwyer, the secretly sweet class clown. Gaining courage from her heroine, Joan of Arc, Mary vows to pilot a sub across the Chesapeake Bay, risking her life in a modern crusade to save herself. Mary Underwater is an empowering tale of persistence, heroism, and hope from a luminous new voice in middle-grade fiction.
Queen Caroline and the Power of Caricature in Georgian England
This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the ‘injured’ queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news. The Queen Caroline controversy was the zenith of the ‘Golden Age’ of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims to chronicle and analyse this achievement.
One Hot Summer
A unique, in-depth view of Victorian London during the record-breaking summer of 1858, when residents both famous and now-forgotten endured “The Great Stink” together While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence. Ashton mines Victorian letters and gossip, diaries, court records, newspapers, and other contemporary sources to uncover historically crucial moments in the lives of three protagonists—Charles Dickens, Charles Darwin, and Benjamin Disraeli. She also introduces others who gained renown in the headlines of the day, among them George Eliot, Karl Marx, William Thackeray, and Edward Bulwer Lytton. Ashton reveals invisible threads of connection among Londoners at every social level in 1858, bringing the celebrated city and its citizens vibrantly to life.
Work and the Nineteenth-Century Press
Extending the limits of the award-winning Routledge Handbook to Nineteenth-Century Periodicals and Newspapers (2016) and its companion volume (and also award-winning) Researching the Nineteenth-Century Press: Case Studies (2017), Work and the Nineteenth-Century Press: Living Work for Living People advances our knowledge of how our identities have become inextricably defined by work. The collection’s innovative focus on the nineteenth-century British press’s relationship to work illuminates an area whose effects are still evident today but which has been almost totally neglected hitherto. Offering bold new interpretative frameworks and provocative methodologies in media history and literary studies developed by an exciting group of new and established talent, this volume seeks to set a new research agenda for nineteenth-century interdisciplinary studies.
Charles Dickens and the Mid-Victorian Press, 1850-1870
Critical analysis of the magazines established and edited by Charles Dickens.
