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The Griffith Theatre Company Inc. proudly presents in association with Dominie Pty Ltd an amateur production of "Once upon a catholic". Written by Mary O'Malley and directed and produced by William Marshall.
Imagine for a moment that all the pressures in your life were off—no problems to fix, no deadlines to meet, no struggles to overcome. Do you feel that sense of spacious relief? It’s not an illusion, teaches Mary O’Malley. It really is possible to live with that profound openness every moment, even while tending to our everyday tasks and obligations. What’s in the Way Is the Way is the new book from this highly regarded teacher, offering practical guidance for meeting all of our experience with an abiding sense of ease, trust, and peace of mind. This accessible book is divided into 10 phases, featuring inspiring wisdom and step-by-step exercises to heal the core beliefs that keep you stuck With each chapter, Mary invites you to come into the present and see yourself and your circumstances in a different way—with openness and curiosity, unclouded by struggle, judgment, and fear. Discover why Eckhart Tolle calls Mary O’Malley’s work “a treasure of practical wisdom and profound insights, all pointing to one essential Truth: how to awaken into present-moment awareness and live in acceptance of what is.”
Joint Winner of the Michael Hartnett Poetry Award 2018. In Playing the Octopus, her eighth collection of poems, Mary O'Malley's sensitivity to the spirit of Ireland's west coast is as attuned as ever. In a world both earthen and dreamlike, bodily and mythical, a trout is seen to 'swallow light through his skin', a wolf 'howls the great open vowel of his need', and in the emptiness where a tree once stood, 'a tree-shaped brightness dances'. Over the course of the collection, O'Malley twins the Irish west coast with the American east coast, Inis Mór with Coney Island, the parish with the metropolis, the pipes with the axe, each offering its own comfort and wonder. Sylvia Plath, Lois Lane and Antigone feature in an unlikely cast of heroines through which O'Malley tests the mythologies of motherhood and femininity ('no mother is ever good enough until she's dead', writes the poet, with characteristic wit). Playing the Octopus is a body of writing buoyed by the redemptive power and sustaining joy of music, and it closes with O'Malley's translations of the Irish poet Seán Ó Ríordáin and the Spaniard Federico García Lorca.
The poems of The Shark Nursery respond to a disturbed world. The experience of lockdown, of lives lived in an online reality, and of the animal world are the interlocking parts of the poems' world. The animal poems draw on the tradition of animals in Irish poetry and myth. From the wolf's touch to the rat's tweet, animals and fish refuse the roles human beings impose on them. O'Malley's animals find new language in the face of contemporary perils. In fusing mythic with modern elements, The Shark Nursery is marked by rigorous attention to language and tone. Its poems weave between human, animal and metaphysical realms. In a space before noise begins, tigers visit cities and a white leopard si...
To some degree we are all compulsive. Our struggles range from overworrying and overworking to overeating and alcohol and drug abuse. When we realize we are compulsive, our main reaction until now has been to try to control our behavior, but when we try to control our compulsions, they control us. If we do manage to stop one, another always seems to take its place. Over the past three decades, Mary O’Malley has developed a revolutionary approach to healing our compulsions. She gently invites us to be curious about them, to engage them and ask ourselves questions that help us understand our behaviors. She shows us how lasting healing can come from being curious and forgiving rather than controlling and shameful. Compulsions then become our teachers. Her book is filled with new perspectives and simple techniques that anyone can easily grasp.
Belonging to Life is an exploration of becoming awake and present for our lives so that we can know - no matter what we are experiencing, the joy and peace that are our birthright. Through stories, ideas and techniques, it explores how to quiet our minds and open our hearts so we can truly belong to ourselves and to life. Mary O'Malley writes from her own personal experience of awakening, having walked through the darkest of times, transmuting pain and wounding into precious treasure.
What is time? Our understanding of it changes, between when the angels rejoiced at the incarnation to when Einstein and then Feynman reconceived it. In the strange, unregulated and disorienting world of the web we experience it in new ways, its predictabilities wrested from us. In Mary O'Malley's Demeter and Persephone sequence, time is experienced through generations, but the new gods play differently and spin the clock hands in their own mischievous ways. New generations find the time-patterns and expectations of their predecessors arcane and incomprehensible, and vice versa. Through mythology and ecology, this book sets out to restore connections. The book opens with oranges orbiting a winter kitchen. Time in its dozen guises moves through the poems, as does fate. Mary O'Malley was appointed 2019 Writer Fellow at Trinity College Dublin.
Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The Material Renaissance addresses these issues of economic and social life.
“The voices gathered here display incredible wit, sincerity, and generosity; we are lucky to be able to listen to them.” —Artforum If you had the opportunity to meet your eighty-year-old self, what do you think she/he would tell you? That is the question artist Susan O’Malley, who was herself to die far too young, asked more than a hundred ordinary people of every age, from every walk of life. She then transformed their responses into vibrant text-based images. From a prompt to do things that matter to your heart, to a reminder that it’s okay to have sugar in your tea, these are calls to action and words to live by—heartfelt, sometimes humorous, and always fiercely compassionate. This stirring celebration of our collective humanity unveils the wisdom we hold inside ourselves right now. “Everyone, regardless of age, can take something away from this uplifting work.” —Real Simple
"The poems in Mary O'Malley's new collection focus on separation: of the individual from the state, of husband from wife, of a country from a language. The book explores the season when the verities vanish, the love we live by dies, and the ramparts that shore up our existence are demolished."--BOOK JACKET.