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The Wall Around Your Heart
Family members hurt us. Friends betray us. Fellow Christians deceive us. But Jesus provides a path through the pain—the Lord’s Prayer. In The Wall Around Your Heart, Mary DeMuth shows you that you can reach wholeness and healing in the aftermath of painful relationships by following the road map of the Lord’s Prayer. You’ll walk through story after story of hurt people who are led through biblical truth into amazing, life-sustaining, joyful growth. Life is hard. People can be mean and petty and awful. But they can also be amazing and beautiful and sacrificial. God is good. He is faithful. You can trust him with your relationships. “He’ll send people to call out what is hard in yo...
Beyond The Wall
In the Society, everyone is happy.Drea Young has grown up living in the shadow of the wall. Not only does she know there's nothing left beyond it, but she also knows that it's there to protect the citizens of the United Society of the Reestablishment. That doesn't stop her from feeling trapped, though. Why? Everything in her world is perfect. There's no more struggle, no war or crime, no conflict.No choice.Drea has always thought she was alone in her blasphemous thoughts, but then she gets to know Jerrick Carter and realizes she couldn't be more wrong. Quiet and Brooding - and incredibly gorgeous - Jerrick helps her understand not just the world around her, but herself as well, and the more Drea learns about the Society, the more desperate she becomes to break free. But after a lifetime of being controlled, she isn't sure if she's strong enough to leave everything she knows and loves behind...
The Stone Wall
Mary Casal was the pen name of Ruth Fuller Field (1864-1935), a lesbian artist, teacher and entrepreneur. The youngest of nine children, she was born Ruth White Fuller, in Deerfield, Massachusetts, the daughter of musician Joseph Fuller and his wife Lydia, and the niece of painter George Fuller. Field's memoir recounts her life story: her journey of self-discovery and loving relationships with women, her tomboy childhood and instances of sexual abuse at the hands of men, her failed marriage and her contact with the lesbian community in the late 19th and early 20th century. Touching and evocative, THE STONE WALL is a window into an astonishing life.
The Collapse
On the night of November 9, 1989, massive crowds surged toward the Berlin Wall, drawn by an announcement that caught the world by surprise: East Germans could now move freely to the West. The Wall -- infamous symbol of divided Cold War Europe -- seemed to be falling. But the opening of the gates that night was not planned by the East German ruling regime -- nor was it the result of a bargain between either Ronald Reagan or George H.W. Bush and Soviet leader Mikhail Gorbachev. It was an accident. In The Collapse, prize-winning historian Mary Elise Sarotte reveals how a perfect storm of decisions made by daring underground revolutionaries, disgruntled Stasi officers, and dictatorial party boss...
The Jurist ..
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The Law Times
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HISTORY OF THE PREEN FAMILY: VOLUME FOUR BRIDGNORTH GROUP 1640-1911
The PREEN FAMILY HISTORY STUDY GROUP exists to research the family. It organises an Annual Reunion and is preparing a History of the Preen Family in four volumes. DNA analysis has shown that the Preen Family is divided into three groups, each with a common ancestor in the seventeenth century. Volume One will discuss the early history of the family and then Volumes Two to Four will each cover one of the three groups. This book is Volume Four describing the Bridgnorth Group. The Bridgnorth Group are descended from Frank and Fanny Preen who lived in Mill Street Bridgnorth in the 1640s and the book traces their descendants as they spread throughout the West Midlands and later throughout the world. It ends with the families who appeared in the 1911 census.
Special Affects
Examines the translation of classical Hollywood into Disneys feature films from a Deleuzian perspectiveSpecial Affects retells the emergence of Disney animation and classical Hollywood cinema from the perspective of affect and the embodied modes of generating affection. The emergence of these media enables new modes of perception that create aspecial sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks ...
