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Mary Seton Watts, symbolist, craftswoman, so cialist and pioneer of Liberty''s Celtic style, created one o f the most remarkable art nouveau buildings in Britain - the Watts Chapel in Compton, Surrey. '
"Never previously published, due to the tiny, almost illegible handwriting, the diary volumes have now been painstakingly transcribed and edited by Desna Greenhow, who has extracted the most illuminating passages. Including detailed annotations, an introductory essay and short commentaries at the start of each year represented, this book chronicles life in the artistic, literary and political circles of the time, while also providing invaluable insights into Mary's own considerable achievements--most notably her management of the building and decorating of her unique Watts Cemetery Chapel."--Publisher's description.
This comprehensive book is both a biographical exploration of the early life of Mary Seton Watts and a survey of the pottery she designed. Her roots in Scotland, her artistic career and her marriage to the Victorian artist George Frederic Watts all influenced the design of the Grade 1 listed Cemetery Chapel at Compton and the art potteries which she then set up, both in Compton (The Potters' Arts Guild) and in her home village near Inverness. The pottery at Compton was in business for more than fifty years, making terracotta garden ware, memorials and small decorative pieces. It remained open through two World Wars and a trade depression. This highly illustrated publication showcases the beautiful and individual pieces of pottery and is a fitting tribute to the ability of Mary Watts to coordinate both people and resources.
This is a guide to the symbolism of the glorious Arts and Crafts patterns that decorate the interior and exterior of Compton Cemetary Chapel.
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This rich collection offers new perspectives on the future of coaching and coaching psychology, with insight from a broad range of contributors reflecting a wide variety of viewpoints. It captures the ongoing evolution of coaching practice, inviting contribution to conversations as they unfold. Mary Watts and Ian Florance skillfully bring together authors from backgrounds in law, finance, education, psychology and HR to examine the nature of change and assess current and future developments. Emerging Conversations in Coaching and Coaching Psychology considers influences from within coaching itself, discussing topics including ethics, diversity, supervision and reflective learning, and from other disciplines, assessing the offerings of psychometric assessment, trauma studies and neuroscience. It also considers the impact of social changes as seen in business, education and leadership, and concludes with a look at the future of coaching. This book will be of great interest to coaches and trainee coaches interested in changes and developments in the field, who aren’t afraid to ask questions and who are open to reflecting on their own assumptions and approaches to practice.
"This book tells the story of the impact of George Frederic Watts OM RA (1817-1904) and his wife Mary Seton Watts (nee Fraser-Tytler, 1849-1938) on Compton, a small village in Surrey. Initially, the village acted as an autumnal and winter retreat for the artist and the designer, but became the permanent base for their work and the home of the Watts Gallery, the Compton Pottery with its studios and workshops, and the extraordinary Cemetery Chapel. A nationally significant site, it includes a gallery that holds an internationally important collection, and Arts and Crafts chapel by Mary Watts, a Great Studio house named 'Linnerslease' designed by Sir Ernest George, and the Compton Pottery buildings. More than a guide book, it presents a complete history and guide that will appeal to readers who wish to know the story of a unique artists' village. The book is richly illustrated with new photography, historic photographs and contextual material which give a sense of the significance of art and artists in the late nineteenth-century, and reveal a continuous and living philosophy at the heart of a Surrey village."--BOOK JACKET.
Explores the interconnected creative partnerships of the Wattses and De Morgans - Victorian artists, writers and suffragists This is the first book dedicated to examining the marital relationships of Mary and George Watts and Evelyn and William De Morgan as creative partnerships. The study demonstrates how they worked, individually and together, to support greater gender equality and female liberation in the nineteenth century. The author traces their relationship to early and more recent feminism, reclaiming them as influential early feminists and reading their works from twentieth-century theoretical perspectives. By focusing on neglected female figures in creative partnerships, the book c...