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Samuel Edward Weir Q.C. (1898-1981), a man both loved and reviled with scorn, was born in London, Ontario. Descended from pioneer stock, with roots in both Ireland and Germany, Samuel Weir possessed incisive wit, exceptional intelligence and a passionate zest for any subject that caught his eye. Over a period of sixty years he built an extraordinary collection of approximately one thousand works of outstanding art and sculpture. This extensively researched biography of a talented yet quixotic lawyer who contributed much to Canada's heritage begins in the early 19th century and covers well over a hundred years of our nation's growth, until his death at his home, River Brink, in Queenston, Ontario. Today, River Brink is the gallery in which The Weir Collection is exhibited and housed.
In the late 1700s in a village east of Trois-Rivieres, Lower Canada, young and high spirited Marie Anne Gaboury, born 1782, with no dowry, no marriage prospects, is despatched by her widowed mother to serve as assistant housekeeper in the priests home. On her way to what she sees as a lonely secluded life, she encounters sixteen-year-old Jean Baptiste Lajimoniere, eldest son of the areas wealthiest farmer having a swim. She gets a hearty playful splash and arrives at the presbytery, bedraggled and miserable. Eleven years later, Jean Baptiste comes home to farm after a few years of adventurous hunting out in what were known as the western deserts. Marie Annes sister contrives for the two to m...
In a career that spanned five decades, Elmer Iseler proved himself pivotal to the development of choral music in Canada. After founding Canada’s first professional choir in 1954, he became artistic director and conductor of the Toronto Mendelssohn Choir. In 1979 he established Canada’s leading chamber choir, the Elmer Iseler Singers. He also enjoyed a long association with the Toronto Symphony Orchestra, conducting more than 150 performances of Handel’s Messiah and premiering complex twentieth-century music. Under his baton, choirs achieved international stature for technical brilliance and artistic versatility. He has, in the estimation of many, created a vibrant, world-class choral infrastructure in Canada. The most decorated musician in Canada, honoured with many awards nationally and internationally, Iseler has made an impact that will continue undiminished through his many recordings, the Elmer Iseler Singers, the Elmer Iseler Chair in Conducting, and the Elmer Iseler National Graduate Fellowships in Choral Conducting at the University of Toronto.
In Search of Alberto Guerrero is the first full biography of the influential Chilean-Canadian pianist and teacher (1886-1959), describing Guerrero’s long career as virtuoso recitalist, chamber music collaborator, concerto soloist, and teacher. Written by composer John Beckwith, who was a student of Guerrero, the book blends research and memoir to piece together the life of a man who once insisted he had no story. Guerrero was part of the intellectual scene that introduced Chileans to Debussy, Ravel, Cyril Scott, Scriabin, and Schoenberg. He and his brother played an active role in founding the Sociedad Bach in Santiago. In 1918 Guerrero moved to Toronto, making the Hambourg Conservatory, a...
Canadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.
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Thinkers and Dreamers honours Carl C. Berger, professor of Canadian history at the University of Toronto for more than forty years and author of influential works on Canadian intellectual history. In this collection, Professor Berger's colleagues and former students explore the currents of intellectual life in North America since the mid-nineteenth century. Broad in scope, the essays range in content from a commentary on works in intellectual history to analyses of the development of particular disciplines and distinctive cultural institutions. Several of the contributions provide sharp critiques of historical thought, including a discussion of professional scholarship and an analysis of the field of intellectual history. Others address issues that combine institutional and cultural history, such as an examination of Victorian Canada and a discussion of immigration and citizenship. These varied reflections aptly convey Berger's contributions to the study of Canadian history.
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