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Flemish and Dutch Artists in Early Modern England
  • Language: en
  • Pages: 257

Flemish and Dutch Artists in Early Modern England

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations pr...

Flemish and Dutch Artists in Early Modern England
  • Language: en
  • Pages: 397

Flemish and Dutch Artists in Early Modern England

  • Categories: Art
  • Type: Book
  • -
  • Published: 2017-07-05
  • -
  • Publisher: Routledge

By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations pr...

Catalog of Copyright Entries, Third Series
  • Language: en
  • Pages: 1620

Catalog of Copyright Entries, Third Series

  • Type: Book
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  • Published: 1976
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  • Publisher: Unknown

The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).

Books and Pamphlets, Including Serials and Contributions to Periodicals
  • Language: en
  • Pages: 1618
Barnet & Stubbs's Practical Guide to Writing
  • Language: en
  • Pages: 450

Barnet & Stubbs's Practical Guide to Writing

None

Barnet and Stubbs' Practical Guide to Writing with Readings
  • Language: en
  • Pages: 676
Conservation of Easel Paintings
  • Language: en
  • Pages: 1367

Conservation of Easel Paintings

  • Categories: Art
  • Type: Book
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  • Published: 2020-11-30
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  • Publisher: Routledge

Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shi...

The Scandal of Images
  • Language: en
  • Pages: 278

The Scandal of Images

  • Categories: Art

In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.