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In this major work, Lewis S. Feuer examines critical distinctions between progressive and regressive imperialism. He explores causes of anti-imperial ideologies, noting that unlike the spoliation that took place under regressive tartar, Spanish and Nazi colonizations, civilization flourished during the progressive imperialism of Hellenic, Macedonian, Roman, and modern British eras of empire-building. Feuer holds that it is erroneous to blame the relative backwardness of colonial peoples on the imperialism of Western democratic nations. In case after case, the character of colonial rulers determined economic development and democratic reform alike. Pursuing the theme of progress versus regres...
The Cossacks who wore German uniforms saw their service not as treason to the motherland, but as an episode in the revolution of 1917, part of an ongoing struggle against Moscow and against Communism. A Wehrmacht needing men and an SS hungry for power reinterpreted or ignored Hitler's racist ideology to form entire divisions of Cossack volunteers. German offices developed relationships to "their" Cossacks similar to those in the French and British colonial armies. The Cossacks responded by fighting effectively and reliably on the Russian Front and in the Balkans. Their reward was forced repatriation into Stalin's Gulag at the hands of the Western powers in 1945.
The Russian view of the Cape as represented in this volume may be unique. During the period in question, Russia had no cultural, political or economic ties with South Africa. Russians saw the Cape only as a convenient stopover en route to the Far East, to their country’s distant domains that could not be reached by sea otherwise. The Cape was one of the ‘exotic’ lands they would visit on such journeys, their first and only introduction to the African continent. Although amazed and perplexed by the ‘entirely different world’ they found here, Russian travellers would often draw unexpected parallels between life in their motherland and the realities of the Cape Colony. The selections include memoirs of such important Russian personalities as Yuri Lisyansky, Vasily Golovnin, Ivan Goncharov and Konstantin Posyet. Most of the texts appear in English for the first time.
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At a time when most communities’ resources are stretched past the breaking point, how is it possible to deal with the enormous challenges that families, neighborhoods, cities, regions, and nations face today? This inspiring book takes readers to seven communities around the world where the people have walked out of limiting beliefs and practices that precluded solutions to major social problems, and walked on to discover bold new ways to meet their needs. This book is a true learning journey, filled with intimate stories and portraits of the people and places the authors came to know through years of working together to transform their communities. The journey begins in Mexico, then moves to Brazil, South Africa, Zimbabwe, India, Greece and the U.S. The authors’ lives and ways of thinking have been transformed by these experiences and relationships – an experience they hope to recreate for the reader through vivid prose and photos. The reader will experience first hand how a change of beliefs about people results in new capacities and the possibility of a more healthy future.
South Africa is recognized as a site of both political turmoil and natural beauty, and yet little work has been done in connecting these defining national characteristics. Washed with Sun achieves this conjunction in its multidisciplinary study of South Africa as a space at once natural and constructed. Weaving together practical, aesthetic, and ideological analyses, Jeremy Foster examines the role of landscape in forming the cultural iconographies and spatialities that shaped the imaginary geography of emerging nationhood. Looking in particular at the years following the British victory in the second Boer War, from 1902 to 1930, Foster discusses the influence of painting, writing, architecture, and photography on the construction of a shared, romanticized landscape subjectivity that was perceived as inseparable from "being South African," and thus helped forge the imagined community of white South Africa. In its innovative approach to South Africa's history, Washed with Sun breaks important new ground, combining the persuasive theory of cultural geography with the material specificity of landscape history.
Much has been written about Vincent van Gogh and his tempestuous relationship with his brother Theo. But few people know that there was a third Van Gogh brother, Cornelis, who was raised in the Netherlands, but worked, married and died in South Africa. The son of a Protestant minister, Cor spent his youth in a series of small Dutch towns, with idyllic holidays walking in the countryside with his artist brother, before troubles and tragedies beset the Van Gogh family. In 1889, the twenty-two-year-old Cor sailed to South Africa, where he worked as an engineer on the gold mines and on the railways. In the Anglo-Boer War he joined the Boers, first as a railway engineer and later on commando in the Free State, where in 1900 he suffered a fate that echoed his famous brother’s tragic end. The Unknown Van Gogh recreates South Africa in the tumultuous last decade of the nineteenth century; reconstructs the personal story of a young immigrant from letters and other archival documents; and explores his relationship with his famous brother Vincent. With new insights based on original research, this book uncovers a figure who has been forgotten by history.