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For God and Liberty
The Age of Revolution has traditionally been understood as an era of secularization, giving the transition from monarchy to independent republics through democratic movements a genealogy that assumes hostility to Catholicism. By centering the story on Spanish and Latin American actors, Pamela Voekel argues that at the heart of this nineteenth-century transformation in Spanish America was a transatlantic Catholic civil war. Voekel demonstrates Reform Catholicism's significance to the thought and action of the rebel literati who led decolonization efforts in Mexico and Central America, showing how each side of this religious divide operated from within a self-conscious intercontinental network of like-minded Catholics. For its central protagonists, the era's crisis of sovereignty provided a political stage for a religious struggle. Drawing on ecclesiastical archives, pamphlets, sermons, and tracts, For God and Liberty reveals how the violent struggles of decolonization and the period before and after Independence are more legible in light of the fault lines within the Church.
Official Gazette
None
Piety, Power, and Politics
Douglass Sullivan Gonzalez examines the influence of religion on the development of nationalism in Guatemala during the period 1821-1871, focusing on the relationship between Rafael Carrera amd the Guatemalan Catholic Church. He illustrates the peculiar and fascinating blend of religious fervor, popular power, and caudillo politics that inspired a multiethnic and multiclass alliance to defend the Guatemalan nation in the mid-nineteenth century.Led by the military strongman Rafael Carrera, an unlikely coalition of mestizos, Indians, and creoles (whites born in the Americas) overcame a devastating civil war in the late 1840s and withstood two threats (1851 and 1863) from neighboring Honduras a...
Dead Voice
An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embrac...
Land!
The only successful European impresarios in mid-nineteenth century Mexican Texas--men authorized to bring immigrants to settle the vast spaces of Mexico's northern territories--were Irish. On their land grants, Irish settlers founded Refugio and San Patricio and went on to take active roles in the economic and political development of Texas. It required a hardy spirit and strong ambition to weather the perils that accompanied these opportunities--the long journey, shipwrecks, hostile Indians, injury and disease--and Irish pioneers proved fit for the task. They were not seeking relief from famine or English oppression in their own country. These were vigorous, strong-willed people who possess...
The Works of Hubert Howe Bancroft, Volume VIII
Reprint of the original, first published in 1887.
The Cultural Politics of Twentieth-century Spanish Theatre
The Cultural Politics of Twentieth-Century Spanish Theater argues that twentieth-century artists used the Golden Age Eucharist plays called autos sacramentales to reassess the way politics and the arts interact in the Spanish nation's past and present, and to posit new ideas for future relations between the state and the national culture industry. The book traces the phenomenon of the twentieth-century auto to show how theater practitioners revisited this national genre to manifest different, oftentimes opposing, ideological and aesthetic agendas. It follows the auto from the avant-garde stagings and rewritings of the form in the early twentieth century, to the Francoist productions by the Teatro Nacional de la Falange, to postmodern parodies of the form in the era following Franco's death to demonstrate how twentieth-century Spanish dramatists use the auto in their reassessment of the nation's political and artistic past, and as a way of envisioning its future.
The Return of the Native
The Return of the Native offers a look at the role of preconquest peoples such as the Aztecs and the Incas in the imagination of Spanish American elites in the first century after independence.
