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A 15 year photographic meditation on the clouds surrounding Mount Fuji In the late 1920s, Japanese physicist Masanao Abe built an observatory with a view of Mount Fuji. From it, over the course of fifteen years, he recorded the clouds that surrounded the mountain. He was interested in the scientific question of how the air currents around Fuji could be visualized by means of film and photography. Albeit unintentionally, Abe's motifs fit into a long iconographic tradition: the mountain and the clouds. For decades his archive was left untouched in a Tokyo garden shed. Helmut Völter, who discovered Abe's legacy while working on his book Cloud Studies, sifted through the images of the passionate cineaste who saw a combination of individual images, moving pictures and stereo recordings as the ideal form of scientific evidence. The mere contemplation of these dynamic cloud photographs centring on snow-covered Fuji seems to lift the viewer into the air.
Presents large-scale reproductions of sixty floral images by photographer Tom Baril, created through a process of solarized Polaroid film and toning techniques.
A comprehensive summary of the mineralogy of all meteorite groups and the origin of their minerals.
Brings together the Slovenian photographer's images from his travels in the East, frequently following the Trans-Siberian railway. His use of deep blacks and back-lit silhouettes embues his work with a highly unique style. The powerful images are remarkably moody and atmospheric, permeated with a strange melancholy and an overwhelming sense of isolation.
How cinema and video have transformed our perception of time The year 1895 saw two events, from which Time Machine: Cinematic Temporalitiestakes its bearings: the publication of H.G. Wells' "scientific romance" The Time Machine: An Invention, the first literary work in which movement through time is made possible by technology; and the first public presentation, on the evening of December 28, 1895, of the Lumière Brothers' Cinématographe. Based on these two moments, Time Machineshows how cinema, video and video installations have transformed our perception of time through techniques of slow motion and acceleration, loops and reversals, time-lapse and freeze-frame, multiple exposure and stop-motion animation, as well as through montage: that crucial act of separating and joining images and sounds which has often been considered as one of cinema's defining traits. The 11 texts in this volume shed new light on the aesthetic, epistemological, political and media-theoretical implications of cinematic time manipulation.
Does the field of evolution differ from other sciences? The author, a reviewer for a major medical journal, scrutinized hundreds of scientific references in evolutionary literature, adopting the same standards used for studies submitted for medical publication. The data show that there are two types of evolution, microevolution and macroevolution, with a clear boundary between them based upon the presence and absence of empirical evidence, respectively. The surprising results show that there is a universal disconnect between the data and the conclusions that claim to show the larger changes of macroevolution. The author reveals patterns of deviations from standard scientific methods in these...
In The Dutch Language in Japan (1600-1900) Christopher Joby offers the first book-length account of the knowledge and use of the Dutch language in Tokugawa and early Meiji Japan, which had a profound effect on Japan’s language, society and culture.
Considering Castles and Tenshu -- Modern Castles on the Margins -- Overview: "from Feudalism to the Edge of Space" -- From Feudalism to Empire -- Castles and the Transition to the Imperial State -- Castles in the Global Early Modern World -- Castles and the Fall of the Tokugawa -- Useless Reminders of the Feudal Past -- Remilitarizing Castles in the Meiji Period -- Considering Heritage in Early Meiji -- Castles and the Imperial House -- The Discovery of Castles, 1877-1912 -- Making Space Public -- Civilian Castles and Daimyo Buyback -- Castles as Sites and Subjects of Exhibitions -- Civil Society and the Organized Preservation of Castles -- Castles, Civil Society, and the Paradoxes of "Taish...