You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Naast algemene informatie in woord en beeld over een landschap in historische ontwikkeling biedt deze atlas interessante specials zoals een integrale reproductie van een uniek panorama van Walcheren uit 1550, overvloedig beeldmateriaal van de (klassieke) tuinen van de talloze buitenplaatsen en een toekomstvisie.
This volume comprises papers presented to Wietske Prummel on the occasion of her retirement from the Groningen Institute of Archaeology (University of Groningen) in 2012. The contributions cover a wide range of topics from all realms of archaeozoology, such as animal husbandry and mobility, bird exploitation and fishery. The papers are dedicated to Wietske in celebration of her scientific career.
Today we can walk into any well-stocked bookstore or library and find an array of historical atlases. The first thorough review of the source material, Historical Atlases traces how these collections of "maps for history"—maps whose sole purpose was to illustrate some historical moment or scene—came into being. Beginning in the sixteenth century, and continuing down to the late nineteenth, Walter Goffart discusses milestones in the origins of historical atlases as well as individual maps illustrating historical events in alternating, paired chapters. He focuses on maps of the medieval period because the development of maps for history hinged particularly on portrayals of this segment of the postclassical, "modern" past. Goffart concludes the book with a detailed catalogue of more than 700 historical maps and atlases produced from 1570 to 1870. Historical Atlases will immediately take its place as the single most important reference on its subject. Historians of cartography, medievalists, and anyone seriously interested in the role of maps in portraying history will find it invaluable.
Campegius Vitringa (1659–1722) of Franeker University was a biblical scholar of considerable influence for the first half of the 18th century. Similar to that of Calvin, his exegetical methodology attempts to walk a via media between the historicism of Grotius (1583-1645) and the Christocentrism of Cocceius (1603–1669). His magnum opus was a widely-acclaimed commentary on Isaiah (1720). Vitringa scholars have charted his influence along a historical-critical trajectory (including Schultens, Venema, Alberti, Manger, Delitzsch, and Gesenius) and along a Pietistic trajectory (including Franke, Lange, and Bengel, leading toward Lessing, Herder and German Idealism). The book includes the firs...
An important part of the Dutch national treasure of early printed books from before 1801 on military and related subjects is kept in military libraries and collections. This catalogue contains 10,000 books in twelve different languages dated 1500–1800 from nine different Defence institutions/collections, representing both Army and Navy. By far the largest collections are the property of the Royal Netherlands Army Museum in Delft and the Royal Netherlands Military Academy in Breda. A great if not substantial part of these books is especially of international significance because of the contents, the intrinsic value or as historical objects. It took eight years to trace and describe these books, all of which have been given extensive analytical bibliographic descriptions. The book includes over 2000 illustrations. The book is a project of the Royal Netherlands Army Museum, Delft
The Annual Bibliography of the History of the Printed Book and Libraries aims at recording articles of scholarly value which relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic social and cultural environment, involved in its production, distribution, conservation and description.
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer...
None