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Imaging Disaster
Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. Drawing on a kaleidoscopic range of images from the fine arts, magazines, cartoons, and other popular sources, Gennifer Weisenfeld has produced an original study of this catastrophic event from an art historical perspective. —Jonathan Reynolds, Barnard College Imaging Disaster is an exhaustive and illuminating study of the visual culture generated by Japan’s most devastating natural disaster. Comprehensive in scope—covering photography, cinema, painting, postcards, sketches, urban planning, and even scientific models—Weisenfeld makes a compelling point that the massive profusion of visual representations that followed the quake must itself be considered an integral part of this tragic historical event.—Seiji Lippit, UCLA
This Side of Paradise
Fitzgerald's first novel in the authoritative Cambridge edition, now available as a paperback.
Popular Opinion in the Middle Ages
This book provides a needed overview of the scholarship on medieval public culture and popular movements such as the Peace of God, heresy, and the crusades and illustrates how a changing sense of the populus, the importance of publics and public opinion and public spheres was influential in the evolution of medieval cultures. Public opinion did play an important role, even in the Middle Ages; it did not wait until the era of modern history to do so. Using modern research on such aspects of culture as textual communities, large and small publics, cults, crowds, rumor, malediction, gossip, dispute resolution and the European popular revolution, the author focuses on the Peace of God movement, ...
Beyond Dichotomies
Beyond Dichotomies examines literary texts, cultural production, and concrete local practices within the context of modernity and globalization by focusing on the ways in which some societies confront the complexity of cultures reflected in new forms of knowledge, narratives, and subjectivities. The contributors explore how particular societies negotiate the relations between the global and the local, and use a geographical, comparative perspective combined with an interdisciplinary approach to offer a diversity of views and illuminate the cultural impact of globalization on different societies around the world: Africa, Asia, Europe, and the Americas. These societies face complex questions regarding people's histories, identities, and cultures that embody the ambivalence, contradictions, and anxieties generated by the process of globalization. The contributors provide a compelling conclusion for a rethinking and reconfiguration of cultures and intercultural relations in today's global world in which dichotomized representations coexist with a discourse of globalization.
DV-Made China
In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "DV China" that includes film and media communities across different social strata and disenfranchised groups, including ethnic and religious minorities and LGBTQ communities. DV-Made China takes stock of these phenomena by surveying the social and cultural landscape of grassroots and alternative cinema practices after the digital turn around the beginning of the new century. The volume shows how Chines...
Modernism and the Idea of the Crowd
This book argues that literary modernists engaged creatively with modernity's expanding forms of collective experience and performative identities; their work clarifies how popular subjectivity evolves from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with conditions of oppression.
On Ceasing to Be Human
On Ceasing to be Human explores and develops a question posed by Stanley Cavell, "Can a human being be free of human nature?" particularly in terms of the link between freedom and nonidentity.
Crowds and Party
Crowds and Party channels the energies of the riotous crowds who took to the streets in the past five years into an argument for the political party. Rejecting the emphasis on individuals and multitudes, Jodi Dean argues that we need to rethink the collective subject of politics. When crowds appear in spaces unauthorized by capital and the state-such as in the Occupy movement in New York, London and across the world-they create a gap of possibility. But too many on the Left remain stuck in this beautiful moment of promise-they argue for more of the same, further fragmenting issues and identities, rehearsing the last thirty years of left-wing defeat. In Crowds and Party, Dean argues that previous discussions of the party have missed its affective dimensions, the way it operates as a knot of unconscious processes and binds people together. Dean shows how we can see the party as an organization that can reinvigorate political practice.
Refiguring Mass Communication
This book is a unique inquiry into the history and the ongoing moral significance of mass communication as an idea and social form.
The Cambridge Companion to The Waste Land
This Companion offers fresh critical perspectives on T. S. Eliot's The Waste Land that will be invaluable to scholars, students, and general readers.
