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These essays challenge the positivist, patriarchal assumptions of earlier approaches to textual criticism.
An exploration of the importation of French political thought into England during the last decades of Elizabeth's reign. The French Religious Wars generated a large body of political propaganda from the Huguenots, the Politiques (a Huguenot-Catholic confederacy) and the Catholic League. Dr. Parmelee discusses how, in the last decades of the reign ofElizabeth I some 130 translated documents were imported into England, most of them - originating from the Politiques, written in support of the Protestant Henry of Navarre's accession to the French throne-advocating religious tolerance as a way to peace. She argues that while most English political thinkers did not openly embrace or articulate the absolutist ideas often expressed in these writings, they had a wide impact on political discourse in the lateElizabethan period. They were useful against foreign enemies, Catholic recusants and Presbyterians, but particularly, in a time of fear of civil war engendered by an unsettled succession, they helped to establish an intellectualclimate conducive to the later development of Stuart absolutism. Dr. Lisa Ferraro Parmelee teaches in the Department of History at Villanova University.
This unique volume is based on the philosophy that the teaching of history should emphasize critical thinking and attempt to involve the student intellectually, rather than simply provide names, dates, and places to memorize. The book approaches history not as a cut-and-dried recitation of a collection of facts but as multifaceted discipline. In examining the various perspectives historians have provided, the author brings a vitality to the study of history that students normally do not gain. The text is comprised of 24 historiographical essays, each of which discusses the major interpretations of a significant topic in mass communication history. Students are challenged to evaluate each approach critically and to develop their own explanations. As a textbook designed specifically for use in graduate level communication history courses, it should serve as a stimulating pedagogical tool.
This book argues for editing Shakespeare's plays in a new way, without pretending to distinguish authorial from theatrical versions.
This volume deals with English Puritan book printing and publishing in the Netherlands, especially in the cities of Amsterdam and Leiden, in the early seventeenth century. Because of censorship in England, many Puritans had to go abroad to have their books printed. Once produced by Dutch presses, the books were shipped, or smuggled, back to England. The book centers on a body of about 350 Puritanical books, mostly in the English language, printed in the Dutch Republic by Puritan printers in exile or by sympathetic Dutch printers. The book examines the chain of authors, printers, publishers, financial backers, smugglers, and booksellers involved. Zealous Puritan believers participated at each stage. This book is important for studying the relationship between Dutch printing and Puritan activities in Britain.
The Brand of Print offers a comprehensive analysis of the ways printers, publishers, stationers, and booksellers designed paratexts to market printed books as cultural commodities. This study traces envoys to the reader, visual design in title pages and tables of contents, and patron dedications, illustrating how the agents of print branded their markets by crafting relationships with readers and articulating the value of their labor in an increasingly competitive trade. Applying terms from contemporary marketing theory to the study of early modern paratexts, Andie Silva encourages a consideration of how print agents' labor and agency, made visible through paratextual design, continues to influence how we read, study, and digitize early modern texts.
Highlights in the History of the American Press was first published in 1954. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The articles collected in this volume present a vivid panorama of American journalistic history from its antecedents in the English ballad singers to the press giants of modern times. Since there is probably no single force that has played a greater role in the history of America than its newspapers, the history of journalism tells, in large measure, the story of this country's political, social, and economic development. Theref...
Situating itself in a long tradition of studies of Anglo-Italian literary relations in the Renaissance, this book consists of an analysis of the representation of women in the extant Elizabethan translations of the three major Italian Renaissance epic poems (Matteo Maria Boiardo's Orlando Innamorato, Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Gerusalemme Liberata), as well as of the influence of these works on Elizabethan Literature in general, in the form of creative imitation on the part of poets such as Edmund Spenser, Peter Beverley, William Shakespeare and Samuel Daniel, and of prose writers such as George Whetstone and George Gascoigne. The study emphasises the importance of European writers' influence on English Renaissance Literature and raises questions pertaining to the true essence of translation, adaptation and creative imitation, with a specific emphasis on gender issues. Its originality lies in its exhaustiveness, as well as in its focus on the epics' female figures, both as a source of major modifications and as an evident point of interest for the Italian works' 'translatorship'.
Over the past fifteen years, Jonathan Goldberg's wide-ranging essays have been among the most sophisticated, influential, and controversial writing about Shakespeare. He challenges the critical orthodoxy, provoking scholars to reassess both their own assumptions and those underpinning the field of Shakespeare studies. Collected in one volume for the first time, these essays offer a sustained, energetic, and rigorous examination of issues of gender and sexuality that pervade Shakespeare's plays, as well as a road map of the shifts during the past two decades in our understanding of English literature's most canonical figure. Central to these essays are concerns about textuality as considered ...