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Assesses the past, present, and future of German-Jewish relations in light of recent political charges and the opening up of historical resources
By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
A Space of Anxiety engages with a body of German-Jewish literature that, from the beginning of the century onwards, explores notions of identity and kinship in the context of migration, exile and persecution. The study offers an engaging analysis of how Freud, Kafka, Roth, Drach and Hilsenrath employ, to varying degrees, the travel paradigm to question those borders and boundaries that define the space between the self and the other. A Space of Anxiety argues that from Freud to Hilsenrath, German-Jewish literature emerges from an ambivalent space of enunciation which challenges the great narrative of an historical identity authenticated by an originary past. Inspired by postcolonial and psyc...
Growing out of a conference held at Cornell U. in 1986, this collection of essays exploring the representation of the Jew in the Western world investigates the role of the Jew as the ultimate other in Europe and in the parts of the world colonized by Europeans, and follows the shift from Semitism. Annotation copyrighted by Book News, Inc., Portland, OR
"Irving Rothman has been teaching at the University of Houston since 1967 as Professor of English specializing in English Literature of the Restoration and Eighteenth Century."--BOOK JACKET.
Lists citations with abstracts for aerospace related reports obtained from world wide sources and announces documents that have recently been entered into the NASA Scientific and Technical Information Database.
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Wordsworth and Coleridge: Promising Losses assembles essays spanning the last thirty years, including a selection of Peter Larkin's original verse, with the concept of promise and loss serving as the uniting narrative thread.
A Stanford University Press classic.
The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. "Wit and mockery,"...