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Palimpsestic Memory
The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.
Concentrationary Cinema
Since its completion in 1955, Alain Resnais’s Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the ‘concentrationary universe’ which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrat...
Frantz Fanon's 'Black Skin, White Masks'
"This book will be essential reading for students and researchers in the areas of postcolonial studies, French and Francophone studies, cultural studies, ethnic and racial studies, politics, literature and psychoanalysis, and all those concerned, like Fanon, with the quest for human freedom."--BOOK JACKET.
Concentrationary Imaginaries
In 1945, French political prisoners returning from the concentration camps of Germany coined the phrase 'the concentrationary universe' to describe the camps as a terrible political experiment in the destruction of the human. This book shows how the unacknowledged legacy of a totalitarian mentality has seeped into the deepest recesses of everyday popular culture. It asks if the concentrationary now infests our cultural imaginary, normalizing what was once considered horrific and exceptional by transforming into entertainment violations of human life. Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force.
Citizenship, Nationality, and Migration in Europe
BRITAIN - Tony Kushner
Facing Postmodernity
Facing Postmodernity explains French cultural theory by grounding it in the politics of the issues facing France today such as: * the breaking of the city * racism * the crisis of culture * new citizenship. It discusses some of the major responses to postmodernity by contemporary French thinkers, both the very well known -Lyotard, Levinas, Derrida - and those who will be less familiar to a non-French audience. In doing so, it addresses the questions central to the postmodern debate whatever country it takes place in; questions of history, of representation, identity and community.
Opposing Colonialism, Antisemitism, and Turbo-Nationalism
This volume gathers together reflections on racism and nationalism, empowerment and futurity. It focuses on collective amnesia in regards to traumatic events of the European past and the ways in which memory and history are presented for the future. The essays cover and oppose the seemingly disparate genocides committed during Belgian colonialism, Austrian antisemitism and turbo-nationalism in “Republika Srpska” (Bosnia and Herzegovina), implying by no means a homogenization of the experiences. What connects these historical situations is the fact that, despite available documents, to this very day, nation-states are built on practices of oblivion regarding their past. This volume is indispensable for theoreticians, philosophers, and historians, as well as the general public. It expresses the demand to critically question our inherited knowledge and to rethink the past for a new future of conviviality.
Kafkaesque Cinema
For all its familiarity as a widely used term, "e;Kafkaesque cinema"e; remains an often-baffling concept that is poorly understood by film scholars. Taking a cue from Jorge Luis Borges' point that Kafka has modified our conception of past and future artists, and Andre Bazin's suggestion that literary concepts and styles can exceed authors and "e;novels from which they emanate"e;, this monograph proposes a comprehensive examination of Kafkaesque Cinema in order to understand it as part of a transnational cinematic tradition rooted in Kafka's critique of modernity, which, however, extends beyond the Bohemian author's work and his historical experiences. Drawing on a range of disciplines in the Humanities including film, literary, and theatre studies, critical theory, and history, Kafkaesque Cinema will be the first full-length study of the subject and will be a useful resource for scholars and students interested in film theory, World Cinema, World Literature, and politics and representation.
Group Harmony
In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know." Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other ...
